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ON FREE PUBLIC VIEW 


FROM 9 A. M. UNTIL 6 P. M. 


AT THE AMERICAN ART GALLERIES 


FROM SATURDAY, MARCH 25tn, UNTIL THE 
DAY OF SALE 


AN IMPORTANT COLLECTION 


OF 
FOREIGN AND AMERICAN 
OIL PAINTINGS 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 


FOR ACCOUNT OF SEVERAL ESTATES AND FOR 
PRIVATE OWNERS 


AT THE AMERICAN ART GALLERIES 


MADISON SQUARE SOUTH, NEW YORK 


ON THE EVENINGS OF 
WEDNESDAY, THURSDAY AND FRIDAY 
MARCH 29TH, 30TH AND 8lst, 1916 


BEGINNING PROMPTLY AT 8.15 O’CLOCK 


CATALOGUE 


OF 


OVER THREE HUNDRED 
OLD AND MODERN PAINTINGS 


BY 


FOREIGN AND AMERICAN ARTISTS 


BELONGING TO THE ESTATE OF THE LATE 
SENHOR SALVADOR DE MENDONCA 


(FORMERLY BRAZILIAN MINISTER AT WASHINGTON) 


THE ESTATES OF THE LATE 
DR. M. C. GOULD, ALFRED HENRY LEWIS AND E. A. BIGELOW 


THE PROPERTY OF 


MRS. AMZI L. BARBER, MISS E. V. COCKCROFT, 
AND MRS. T. GAILLARD THOMAS 


AND OTHER INTERESTS AS SPECIFICALLY INDICATED 


IN THIS CATALOGUE 
der 4. Snhee eats bhatt; babefe Va 
TO BE DISPOSED OF . te es Wa : 
AT UNRESTRICTED PUBLIC SALE 


ON THE EVENINGS HEREIN STATED 


THE SALE WILL BE CONDUCTED BY 


MR. THOMAS E. KIRBY 
ASSISTED BY MR. OTTO BERNET, OF 
THE AMERICAN ART ASSOCIATION, MANAGERS 
NEW YORK 
1916 


ALL DETAILS OF ILLUSTRATION - 


TEXT AND TYPOGRAPHY — 


CONDITIONS OF SALE 


1, Any bid which is merely a nominal or fractional advance may 
be rejected by the auctioneer, if, in his judgment, such bid would be 
likely to affect the sale injuriously. 

2. The highest bidder shall be the buyer, and if any dispute 
arise between two or more bidders, the auctioneer shall either decide 
the same or put up for re-sale the lot so in dispute. 

3. Payment shall be made of all or such part of the purchase 
money as may be required, and the names and addresses of the pur- 
chasers shall be given immediately on the sale of every lot, in default 
of which the lot so purchased shall be immediately put up again and 
re-sold. 

Payment of that part of the purchase money not made at the 
time of sale shall be made within ten days thereafter, in default of 
which the undersigned may either continue to hold the lots at the 
risk of the purchaser and take such action as may be necessary for 
the enforcement of the sale, or may at public or private sale, and 
without other than this notice, re-sell the lots for the benefit of such 
purchaser, and the deficiency (if any) arising from such re-sale shall 
be a charge against such purchaser. 

4. Delivery of any purchase will be made only upon payment 
of the total amount due for all purchases at the sale. 

Deliveries will be made on sales days between the hours of 9 
A. M. and 1 P. M., and on other days—except holidays—between the 
hours of 9 A. M. and 5 P.M. 

Delivery of any purchase will be made only at the American Art 
Galleries, or other place of sale, as the case may be, and only on pre- 
senting the bill of purchase. 

Delivery may be made, at the discretion of the Association, of 
any purchase during the session of the sale at which it was sold. 

5. Shipping, boxing or wrapping of purchases is a business in 
which the Association is in no wise engaged, and will not be performed 
by the Association for purchasers. The Association will, however, 
afford to purchasers every facility for employing at current and 
reasonable rates carriers and packers; doing so, however, without any 
assumption of responsibility on its part for the acts and charges of 
the parties engaged for such service. 

6. Storage of any purchase shall be at the sole risk of the pur- 
chaser. Title passes upon the fall of the auctioneer’s hammer, and 
thereafter, while the Association will exercise due caution in caring 


for and delivering such purchase, it will not hold itself responsible if 
such purchase be lost, stolen, damaged or destroyed. , 

Storage charges will be made upon all purchases not removed 
within ten days from the date of the sale thereof. 

%. Guarantee is not made either by the owner or the Association 
of the correctness of the description, genuineness or authenticity of 
any lot, and no sale will be set aside on account of any incorrectness, 
error of cataloguing, or any imperfection not noted. Every lot is 
on public exhibition one or more days prior to its sale, after which 
it is sold “‘as is” and without recourse. 

The Association exercises great care to catalogue every lot cor- 
rectly, and will give consideration to the opinion of any trustworthy 
expert to the effect that any lot has been incorrectly catalogued, and, 
in its judgment, may either sell the lot as catalogued or make mention 
of the opinion of such expert, who thereby would become responsible 
for such damage as might result were his opinion without proper 
foundation. | 


AMERICAN ART ASSOCIATION, 
American Art Galleries, 
Madison Square South, 
New York City. 


» 


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hina 


2. 


wa. 


FIRST EVENING’S SALE 


WEDNESDAY, MARCH 29, 1916 


AT THE AMERICAN ART GALLERIES 


BEGINNING AT 8 O'CLOCK 


UNKNOWN ARTIST 
No. 1 eS Chon hack 


Lf Ge Drawing: Height, 31 inches; length, 61 inches 
A DRAWING in monotint washes and pen, depicting a group of trees. 


Property of the Estate of the late Srnuor Satvapor pe MENDONGA. 


JOHN H. DOLPH, N.A. 
AMERICAN: 1835—1903 


\ 3 Wi, 
No. 2— MR. PUG LM. (Sarky 
/ j + : Height, 11/4 inches; width, 61, tutheee hi 
Portrair of a pug dog with a jacket of gray and wide white collar, fastened 
with a silk cord and tassel. 
Signed with initials, J. H. D. at lower left and lated ’76. 


Property of the Estate of the late Dr. M. C. Gouxp. 


WILLIAM KELLY 


AMERICAN 
No. 3— WALT WHITMAN (OY vy, Lf, 
a ae Height, 9 inches; width, 7 se, 
>) oe 


Fuii-race portrait of the well-known poet and writer, painted about 1880. 


Signed lower left, W. Ketty. 
Property of a New York Collector. 


GIACOMO CORTESE BOURGUIGNON 
Frencu: 1621—1676 


No. 4— HORSEMEN IN BATTLE 


, Copper panel: Height, 64, inches; length, By, inches | age SE 

Fen seit vy y: ang F 
A FIERCE struggle between two parties of cavalrymen of the Middle Ages, fight- 
ing with swords, spiked maces and lances. The action is placed on the shore 
of the sea, which appears in the background at the left. 


Property of the Estate of the late SeENHOR SALVADOR DE MENDONGA. 


FRENCH SCHOOL 


gists eg ee ee Se eS ee 
a Sear ane a ee a ae Oe ee ee eee ee 


= 
ee A a 


(Period of the Republic and First Consulate) 
NOs ves NAPOLEON IN THE EAST 
/ Drawing in pen and ink: Height, 6 inches; length(& inches 74 
lo —— Vr Sit\ Ae LAM 
Numerous figures in an Oriental interior with view o citadel through an 


open archway. The people, including figures both nude’and draped, are pre- 
sumably captives. In the central group Napoleon is seen speaking to one of 
the men as he passes through the crowd. 


% ==" 


Property of the Estate of the late SeNuHor SALvapor DE MENDONCA. 


ALFRED SEIFERT 


Bouemian: 1850— 


No. 6— PORTRAIT OF A YOUNG LADY 
—es Panel: Height, 74%, inches; width, 5 ee A 
te? Aad RAAB AY OO 


Heap and bust portrait of a sweet-faced, large-eyed young girl maturing int 

womanhood. Over a décolleté bodice she wears a velvet jacket of orange-brown 
lined with pink, broadly open and with a tall collar, and her jeweled head- 
dress of mob-cap shape is edged with fine lace. She faces the observer, head 


turned slightly to her left. 
Signed at the right, A. SEIFERT. 


Property of a Lady. 


W. BOHM PAL 


GERMAN 


No. 7— A HUMBLE HOME 


“ Panel: Height, 61, inches; length, 81/ inch 
a ee 2s 9, Bi ener) es AY far 
oor 


A croup of Italian peasant women and children, including/a how. at the 
of a rudely built, dilapidated hut with sod-covered walls. While the others 
are chatting, one of the women is busy with a frying-pan over a fire. 


Signed at the lower left. 
Property of the Estate of Lorena L. Barner. 


ABEL pr PUJOL 
Frencu: 1785—1861 


No. 8— BRINGING THE BREAD 
sy Water color: Height, 634 inches; length, 8%, iMches ae 
| ~ ‘ MA. pean SS SSF Peed ” 


A FAMILY party, at a table, on the right, in a oe tyard, is ready to vi) 
eat a meal, and the mother has risen to take a huge loaf of bread from a little // 
girl who is carrying it with some difficulty. In the background is seen another 
party at table. 
Signed at the lower left. 


Property of the Estate of the late Srnuor Satvapor pE MENDONGA. 


WILLIAM JAMES MULLER 
Enecuso: 1812—1845 


Novos: LANDSCAPE 
ie Panel: Height, 6 inches; width, 9 a 
oe Sy: VY: 
A Rroapway in the center leading into the middle fee: On the right, fore? 
trees and two figures seated in the shade; a chalet with white walls amid t 
sky of blue with white clouds. | 


Property of the Estate of the late S—ENwor Satvapor bE MENDONCA. 


PERCIVAL ROSSEAU 


AMERICAN: CONTEMPORARY 


No. 10— LANDSCAPE 


. Panel: Height, 71, inches; ae th, 9% pee: ; 4 
A Group of trees on rising ground, at the left, and Mees group at the right _ 

all in shadow. In the center, a vista of ientlows with ee cattle. The sk ; 
is gray with a space of blue. 


A study, in his early period, by a well-known painter of dogs and landscapes. 


Signed at the lower right. 
By order of Executors. 


PROF. EDWARD GRUTZNER 
GERMAN: 1846—1898 


No. 11— A JOLLY CONFAB 
Panel: Height, 8 inches; length, 10 nee 


oe as A fs 
A LARGE man is visiting some brown-habited es and in the intimacy of has 
old acquaintance the table offers bread and radishes and cold cuts, with large 
steins and seidels of cheer. A merry monk of goodly girth is much amused 

at what the visitor is recounting, as is likewise Brother Cellarer, who brings 
replenishment; a more solemn brother looks doubtful. 


Signed at the bottom center, E. Grirzner. 
Property of a Lady. 


REMBRANDT 
(ATTRIBUTED TO) 


No. 12— LANDSCAPE Nh. ee 
Vee a al 


‘A noap and a stream occupy the foreground. In the middle distance is a town 
with a church. The scene is animated by figures, a cart and cattle. 


Pen and ink drawing: Height, 61. inches; length, 91/, inches 


Property of the Estate of the late Senwor Satvapor pE Menponga. 


GUSTAVE PAUL DORE 
Frencu: 1833—1883 


f 
: — A LION : 
oS (an Gone 
ek gt Water color: Height, 9 inches; width, 7 


inches 


A 110n standing with head turned to the spectator’s left. Behind him is a 
tree with spreading limbs. Painted in monotint. 

Signed at the lower left. 
Property of the Estate of the late Dr. M. C. Gouin. 


PAUL DOUGHERTY, N.A. 
AMERICAN: 1877— 


No. 14— LANDSCAPE = |) ¥, ip oe ye 


4a ee Millboard: Height, 6 inches; length, 9 inches 


Fievps and a road in the foreground; hills with a glimpse of a river in the 
distance, and an evening sky ‘showing warm tints in the clouds in the upper 
portion. 


On back of picture is a label stating that it is “a Paul Dougherty original presented to the 
writer by the painter’ and signed Aaron Suerx (of Sherk Bros., Brooklyn). 


Property of the Estate of the late Dr. M. C. Gourp., 


JAMES D. SMILLIE, N.A. 
AMERICAN: 1833—1909 | 


No. 15— THE WHITE MOUNTAIN FROM RANDOLPH HILL 7 


‘E7 ‘oa ‘. Canvas: Height 6 inches; length, 10 finches Oi. a 
: Ni- VV: RGN) BI ees 


f 
Tux snow-capped mountain is seen in the distance pirat a foreguae of 
Oo 


ud 


herbage and rocks, with a belt of trees in autumn foliage. A small white 


or two float in the blue sky. | 
Signed at the lower left. 
Property of the Estate of the late Dr. M. C. Gouxp. 


CULLEN YATES, A.N.A. 
AmeERIcAN: 1866— 


No. 16— THE BREAKERS: COAST OF MAINE 


F yi Sees Canvas, mounted on compo board: Height, 9 Fh. ae 12 ine] es 
pon 


An attractive piece of color. On the left, the rocky shore; on the right the 
waves breaking over a rock; beyond, the sea and a sky of gray. 


Signed at the lower left. 
Property of the Estate of the late Dr. M. C. Govutp. 


WILLIAM HART, N.A. 
AMERICAN: 1823—1894 


No. 17— LANDSCAPE AND CATTLE 


F ) Millboard: Height, 61% inches; length, 11 inches () 

v'§ ( S* oe Lr 

io Om ty v/, J SRA are : 
Aw autumn landscape with a stream bordered by trees in the foreground at // ‘ 


the left. In the immediate left foreground, three cows; sky of white and 
gray clouds with spaces of blue in upper portion. 


Signed at the lower left, and dated 187—. 


Property of the Estate of the late S—Nuor Satyapor p—E MEeNDONGA. 


JOHN FREDERICK KENSETT, N.A. 
AMERICAN: 1818—1872 


No. 18— LANDSCAPE Uh Garntagwe 
. Millboard, oval: Height, 81 inches; width, 71% inches (| 
27 tt 


- Sec 


A peak in the hills with a lake at its base, bordered by pines and other trees. 
The sky is of pale blue with white clouds. 


By order of Executors. 


GEORGE W. BRENNEMAN 
AMERICAN: 1838—1909 


No. 19— DECLINING TO LOOK 


| Panel: Height, 91, inches; width, 8 inches —/"\ {> 
of se af ane age 
h 


A THREE-QUARTER length seated figure of a man, with gr air and beard, 
holding a human skull on his left knee while with his righf hand he tries to 
turn the head of a monkey, on a table at his side, and force him to look at the 


skull. 


Signed at the upper left. 
Property of a Lady. 


ALFRED C. HOWLAND, N.A. 
American: 1838—1909 


No. 20— IN THE COUNTRY 
ls Taal Panel: Height, 101%, inches; width, 71/, inches f) les ie 
uv Far Ly] t01% 
A LANpDscaPeE with a brook in the foreground; on the bank at the right, two A 
children with home-made fishing rods; houses and church on a hill beyond. C, 


The sky is of blue with white clouds. 
Signed with initials, A. C. H. at lower right. 


Property of the Estate of the late Dr. M. C. Govutp. 


MAURICE LELOIR 
Frencu: 1853— 


No. 21— REVERIEY) +4, Vir o Algae 


Water color: Height, 8 inches; width, 714, inches 
/ (4 


A sEATED figure of a young woman in costume of the Louis Quatorze period. 
She holds a piece of embroidery on her lap but, having stopped her work, she 


gazes dreamily before her. 
Signed on étagére in background, and dated 1884. 


Property of the Estate of the late S—Nuor SaLvapor DE MENDONGA. 


EK. HETTICH 


\ 
No. 22— SWISS LANDSCAPR| Wy (9 pe 
A 0: Panel: Height, 8 inches; length, 11f/j inches 


A strEAm in the foreground of a valley, which lies in shadow, and on its banks 
little houses and figures and a campfire. Beyond rise high hills, surmuonted 
by a castle and other buildings. Over all is a blue sky. This work is char- 
acterized by precision of execution and exact drawing in miniature of nature’s 


forms. 
Signed at the lower right, and dated 1881. 


Property of the Estate of the late SENwOR SALVADOR DE MENDONCA. 


JOSEF DE RIBERA 
(ATTRIBUTED TO) 


SpANIsH: 1588—1656 


No. 23— THE crvorrixions, 77 - nF 
Copper panel: Height, 101%, inches; width, 81/, inches 

ee es 
x = 
Tue figure of Christ, on the cross, forms the center of the composition and 
symmetrical balance in the design is given by the presence of a single figure 
on either side, one a man; the other, a woman. At the foot of the cross are 
a skull and cross bones. 


Property of the Estate of the late SeNuor Satvapor pE MENDONGA. 


REMBRANDT 
(ATTRIBUTED TO) 


No. 24— THE OLD GATEWAY ie Be yet Reese 


Pen and ink drawing: Height, 7 inches; length, 12 inches 


fo 
TuE walls of a ruined castle, with arched doorway in the center. At the right 
is an open chimney with a woman seated on a bench before it. 


Property of the Estate of the late SeNHor Sstvapor pe MENDONGA. 


JOHN FREDERICK HERRING 
Eneuisu: 1795—1865 


No. 25— PIGS 
oe : Panel: Height, 934, inches; length, 12 inches EL any Oy ae 


A uicuty finished study of a sow and her little pigs, in the clean straw in a 
snug corner of a barn. 
Signed, J. F. Herrine, SEnr., at the upper left, and dated 1853. 


Property of the Estate of the late Senor SAtvapor DE MENDONCA, 


VAN OSTADE 


Dutcu 


No. 26— DANCING IN THE BARN : 
yi, me Panel: Height, 91 inches; length, 131, inchey Vy. Ure Dee 
HE interior of a lofty room, with arched rafters and numerous figures. One 
group is seated at an open door, at the left. Several couples are dancing. 
The chief color note is given by the red jacket of a man, who is one of those 


dancing in the center of the composition. 
Signed at the lower right, and dated 1643. 


Property of the Estate of the late SeNuor SAtvapor DE MENDONCA. 


REMBRANDT VAN RYN 

(ATTRIBUTED TO) ee 

Dutcu: 1606—1669 ; Waite : a 

Noe? LANDSCAPE Ut (Servet wt 3 


eS 


ae pols ee Water color, crayon, pen and sepia: Height, 8 nee length, 12 inches . ae 


An open space in the foreground, where roads come together, trees, rising 
ground in the middle distance, and the buildings of a city beyond. 


Initial signature at lower right, with date 1634. 


Property of the Estate of the late Srnnor SALVADOR DE MENDONGA. 


RUBENS SCHOOL 


No. 28— FAN DESIGN 


ss a Water color: Height, 634 inches; length, “fe 
; f ee 


A composition of eleven figures and a number of cupi s, or loves. 
the women are dancing to the music of a pipe, played by a shepherd, a¥t 
right. On the left, a young soldier is advancing with lances. The background 
is a landscape with hills, trees and castles. 


of 


From the J. J. Pioli sale, 1894. 


Property of the Estate of the late Srnxnor SAtvapor DE MENDONGA. 


LUIGI LOIR 
AUSTRIAN: 1825— 


ai 
No. 29— AT EVENTIDE Oe fat 
) 4 ae Water color: Height, 101%, inches; length, 14 inches 
/ 


In the center of a broad village street, at the hour when lights appear, a police- 
cavalryman has halted, with back to the spectator, to talk with a peasant, and 


another group of gossips appears further on. 
Signed at the lower right, Lom Lovie. 


Property of the Estate of Atrrep Henry Lewis, Esa. 


ATTILIO SIMONETTI 


ITALIAN: CONTEMPORARY 


No. 80— IN THE SUN 
4 ”) oF Water color: Height, 12 inches; width, 7 inches Z h, ( LA LZ Wi 


SEATED on a stool, out in the bright sunshine, a matronly young woman is seen 
in easy attitude, facing the left, three-quarters front. Her low-cut gown is 
a blend of soft colors and figured with flowers. 


Signed at the lower left, SimoneTTI. 


Property of the Estate of Mrs. T. Gatttarp THomas. 


MAX WEYL 
American: 1837—1914 


NO. B1————| LANDSCAPE 

Canvas: Height, 91/, inches; length, 1414 inches» f 
/o- Ft anva g Vo g Vo mc Vt. fh. F epee AG ta 

A ponp and a road, with trees on either side; overhead, a sky of blue with white (/ 

clouds. 


Signed at the lower right. 


Property of the Estate of the late S—enuor Satvapor p—E MENpoN¢A, 


JOHN J. HAMMER 
AMERICAN: 1842— 


No. 32-- SPRING 
3a dose Panel: Height, 101% inches; length, 16 inches | ] , 
ve A g 72 g LO ae 7, 
In the foreground is a green meadow, with a girl seated and a man lying down, 
his head resting on his traveling pack. Willow trees in early foliage frame 
in the meadow and there is a glimpse of a creek in the center of the picture. 
Over all is a spring sky of gray clouds with a dash of blue. 


— Y 


we -¢ 


Signed at the lower right. 
By order of Executors, 


ALFRED THOMPSON BRICHER, A.N.A. 
AMERICAN: 1839—1908 


No. 33— CLIFFS ON DANA ISLAND, MANCHESTER-BY-THE-SEA 
= eee Height, 9 inches; lefythp 18 ey Y, CLL 


A HEADLAND of brown, jagged rocks projects from the right into a blue sea 
lightly in motion. Afar off are sails and gulls, and in the foreground the water 
takes various colors in reflections from the rocks. 


Signed at the lower left, A. T. BricHER. 
Property of the E. A. Bicerow Estate. 


EDWARD MORAN, A.N.A. 
AMERICAN: 1829—1901 


No. 34— FISHER GIRL OF CANCALE 


/ ze Canvas: Height, 12 Cae ae 


A Frencu fisher-girl of the Normandy coast crossing the sands wi 


step, carrying a large net rolled up, and with a basket on her left 
ground of sea and sky. 


vigorous 


m. Back- 


Signed at the lower left, and dated 1881. 
Property of the Estate of the late Dr. M. C. Gouxp. 


EMIL CARLSEN, N.A. 
AMERICAN: 1853— 


Sear. 
No. 35— SUNSET ce a Y f 
Beet se 
/ 


/ = - Canvas: Height, 8 inches; length, 12 inches 

’ A prain in the foreground with a clump of trees and a horse in the middle 
distance. The horizon is placed low and the sky is filled with warm yellow 
light, gradated up to gray-bluish tints above. The sun is setting in the right- 
center. 


Signed at the lower right. 
Property of the Estate of the late Dr. M. C. Govutp. 


/ 


SANFORD R. GIFFORD, N.A. 
AMERICAN: 1823—1880 


No. 36— BERKSHIRE HILLS 


= Canvas: Height, 8 inches; length, 13 inches 


Tue foreground is occupied by meadows and a stream. In the center of the Pg 
picture are elm trees backed by a piece of woods in the middle distance. / 


Beyond are the high hills of the Berkshire range and, above, a pale, warm-gray 
sky. ; 


Signed on rocks at lower left center. 
Property of the Estate of the late Dr. M. C. Goutp, 


J. M. BARNSLEY 


AMERICAN: CONTEMPORARY 


No. 37— MARINE 
Ss Lt ad Panel: Height, 9 inches; length, 131% inches (sy ANGE 
‘ a Y ned na 
THE sea, with a wave breaking into spray, in the foregrotixd; gulls flying over 
the water, and a sky of gray. 
Signed at the lower left. 
Property of the Estate of Lorena L. Barner. 
FRANZ DE PAULA FEIG 
AuvsTRIAN: 1689—1740 
No. 38— THE DANCE | 
ra } Panel: Height, 101% inches; length, 13 inches Th- ‘bobs 


Peasants dancing a round in an open space before the entranceway of a coun- 
try house, the white walls of which fill the central part of the composition. At 
the right, in the distance, a landscape vista. 


Property of a Lady. 


ADAM PYNACKER 
Dutrcu: 1621—1673 


No. 39— _ THE EMBARCATION oe 
/ eas Canvas: Height, 103, inches; length, 16 inches 


6, 


On the right, a partly ruined castle, built against a rocky cliff, bekaba hae 
are numerous figures, one, a captain or officer of the guard, who is over- 
seeing the embarcation of some people with their baggage and goods. — a : 


vessel, with sail lowered, is at the quay, on the left, and beyond is a view ofa, ae 
sea and sky. ae 


Property of the Estate of the late S—ENuor Satvapor DE MENDONGA. 


FRANCESCO MARIA MAZZOLA (PARMIGIANO) 
(ATTRIBUTED TO) | 
Iratran: 1503—154 () 


No. 40— PORTRAIT OF COLUMBUS 
/ "a Panvas, mounted on silk with brass-headed pins: Height, 141 inches; width, 111, inches 


On the back of this painting was a penciled note as follows: “This portrait  __ 
of Columbus was painted by Parmigiano and purchased by my Uncle Robert — ke 
Percy Smith in Naples in 1844, at a sale of pictures belonging to the Countess 
Guiccioli and fell to me in division of the estate at his death.” 
(Signed) Harry Percy Vracin. 
Nov. 26, 1896. 


Property of the Estate of the late SeNHor Satvapor pE MENDONGA. 


ANTOINE COYPEL 
Frencu: 1661—1722 


“aNG, 41— sine fe M) tage 


Canvas: Height, 151, inches; width, 111, inches 


A croup of two partly nude figures, with loves in the background overhead. The 
woman, seated, is listening to the advances of the man, who holds a lance 
decorated with vine leaves in his left hand, and is making gestures with her 
hands indicating gentle protest. 

Signature, partly disintegrated, at the lower right. 


Property of the Estate of the late SeNuor SALVADOR DE MENDONGA. 


GUY C. WIGGINS 


e AMERICAN: 1883— 

Nop. 42— EVENING 

f a 4 ar 
Canvas: Height, 10 inches; length, 14 inches Y /). é 

F oe. Bee ; 

3 _ Iw the foreground of this landscape is a group of oaks on a hillock. In the 

e. middle distance, on the right, is a river with shore beyond. Evening sky with 

ca yellow glow and gold tinged clouds. 

f Signed at the lower right. 


Property of the Estate of the late Dr. M. C. Goutp. 


J. G BROWN, N.A. 
AMERICAN: 1831—1918 | 


No. 43—_ IN THE WOODS 


Canvas: Height, 14 inches; width, 10 inches 
Y pte | For 


A woop interior with sunlight filtering through the trees and a little girl, y Hifi tara a 
red and white-striped shawl and straw hat, standing in the foreground. 


Signed at the lower right, and dated 1861. 
Property of the Estate of the late Dr. M. C. Goup. 


JOHN BUNYAN BRISTOL, N.A. 
AmeERIcAN: 1826—1909 


No. 44— HOUSATONIC VALLEY 
/ ae é Height, 10 inches; length, 15 inches ae Md 


Hazg hangs over the valley, and low mountains extend their green and rounded __, 
peaks along the horizon, under patches of white cloud suspended motionless (/ 
in a pale robin’s-egg sky. In the middle distance gray streaks of winding 
water are seen across luxuriant tree-tops; and in the foreground a woman in 
a white waist and broad-brimmed hat stands in a subdued sunlight radiance, 
before the shadows of dense, flourishing trees which stand in thick clumps 
at the border of a green, hilly field. 

Signed at the lower left, J. B. Bristrox, ’87. 


Property of the Estate of Mrs. T. Garttarp THoMas. 


3 ¢ 


Y 


ve | JULIAN RIX 
American: 1851—1903 


No. 45— SUNLIGHT AND SHADOW 
Millboard: Height, 12 inches; ee 16 7 oe 


f* 


ee 


A SHALLOW grass-covered ravine lying in Afeep eae cast from the right 
by the late afternoon sun. On the farther side of the hollow is a group of 
trees and bushes with autumnal foliage shining in the sunlight. Above is a sky 


of intense blue. 7 
Signed at the lower left. 
Property of the Estate of the late Dr. M. C. Govtn. 


JOHN FREDERICK KENSETT, N.A. 
; AMERICAN: 1818—1872 


No. 46— FOREST AND HILLS 


~ Canvas: Height, 10 inches; | Nit 8 incKe 
Ave wt Giwt 
A PANORAMIC view showing a forest in autumn rite stretching across‘ /the 
canvas to hills on the right, with a lake at their base. Beyond, dimly“seen 
through the hazy atmosphere, is a wide stretch of country with blue hills 
in the distance. Over all is a sky of gray-blue. 


Signed with initials, J. F. K., at the lower left. 


This picture was “presented by members of the House of Representatives to John S. 
Rice, Speaker, Session of 1864.” Companion work to No. 47. 


Property of the Estate of the late Dr. M. C. Govutp. 


JOHN FREDERICK KENSETT, N.A. 
AMERICAN: 1818—1872 


No. 47— LAKE ERIE UU € 
. b re Canvas: Height, 10 inches; length, 18 inches 
Rocky bluffs, at the left, extending into the distance and the waters of the 


_ great lake filling all of the lower half of the composition. In the evening sky 
are warm-tinted gray clouds. 


Signed at the lower left. 


This picture was “presented by members of the House of Representatives to John S. 
Rice, Speaker, Session of 1864.” Companion work to No. 46. 


Property of the Estate of the late Dr. M. C. Gov p. 


THEODORE CERIEZ 
Bewcran: 1832—1904 


Nai — AU CABARET |) kal, aoe 


it a7 Panel: Height, 1534 inches; width, 11%, inches 
— 


In the gray interior of a small wine shop three men in long coats, perruques 
and three-cornered hats are standing in conversation, one in red, one in blue 
and one in gray, while other men are seated at a table and through a door- 


way men and women are seen outside. 
Signed at the lower right, T. Certez. 


From the Exposition Belge des Beaux-Arts a Philadelphie. 
Property of a Lady. 


te aaa ee Wipe 
“ he me ~~ ae , » 
6 ee 
Py th ._ 


GIUSEPPI SIGNORINI 
Iratian: 1857— 


No. 49— HIS FAVORITE 


Water color: Height, 171, inches; with, 111, inches , ys: e. | 
{4 nee 
A uanpsome blond young matron in a décolleté gown of flowered silk is alae at 


at a richly gilt piano the favorite air of an elderly cleric in cardinal biretta 
and voluminous robes, who attests his pleasure by following the notes closely — 
through a glass, while he distinguishes the fair player by the most delicate 
of tentative embraces. 


Signed at the lower right, Gruser SicNor1ni, Panis. 


Property of the Estate of A.rrep Henry Lewis, Esa. 


VINCENT ST. LUCHE 


ConTEMPORARY | - 


No. 50— A HOSPITABLE CELLAR 


Ee, 47 Water color: Height, 14 ve widt phe ee 
i 


In the crypt of a huge conventual ae a ree monk kneels before one 
of two wine butts, a flagon in his hand, while a more portly brother stands 
at his elbow with a glass of ruby wine partly emptied, on which he is pro- 
nouncing judgment of satisfaction. A third brother approaches with empty 
pitchers. 7 

Signed at the lower right, Vinc St. Lucue, 1871. 
Property of the KE. A. Bicrtow Estate. | : 


WILHELM VELTEN 
GERMAN: 184°7— 


No--51-= FIRST AID TO THE INJURED 


S- 2 Panel: Height, 16 inches; a i sl oP ta 


A ‘terri ce and girl, seated on a stool and a bench in a vi work s shop. 
The girl is tying a bandage on one of the forelegs of a dog, holding him in 
her lap meanwhile, and on the floor is a basin and a cloth that the children 
have used in attending to the injury of their pet. 

Signed at the lower left. 
By order of Executors. 


WILLIAM CALLAM 


CONTEMPORARY 
| No. 52— VIEW OF A CITY 
in =. oe Water color: Height, 1014 inches; length, (19¥/. inches 
eS Tue buildings of a European city rise in colorful m ng a broad gray river 
ie! which is crossed by a bridge of many arches. In the foreground two boatmen 


r are working on a raft. 
| Signed at the lower right, Wm. Catiam, 1881. 


Property of the E. A. Bicetow Estate. 


CARLETON WIGGINS, N.A. 
AMERICAN: 1848— 


No. 53— THE HILLSIDE 


g al a4 Canvas: Height, 151% inches; width, 11, inchgs f 
——— ' f 
YN. bo nargen— 


A storine hillside, with sheep grazing; beyond at the left, a shed, and digfant 


trees; sky of white clouds. 
Signed at the lower right, and dated 1882. 


Property of the Estate of the late Dr. M. C. Gov p. 


PAUL CORNOYER, A.N.A. 
AMERICAN: 1864— 


oe) ry 
Coe 
No. 54— MADISON SQUARE 7 heder 


Vig @ Canvas: Height, 12 inches; length, 16 inches 
Y/ Soe 


A view in Madison Square, New York, with snow effect under a gray sky. 
The Farragut statue is seen at the right and the Flatiron Building on the 


left. 
Signed at the lower left. 


Property of the Estate of the late Dr. M. C. Gout. 


CARLETON WIGGINS, N.A. 
AMERICAN: 1848— 


No. 55— OLD RELIABLE 


Canvas: Height, ep ghees gt 18 inher aaa 
Seas 


A picture of a white cow in three-quarters view to the spectator and her head 
turned full face; landscape setting of pasture fields and gray sky. 


Signed at the lower left. 
Property of a Lady. : 


JULIAN ONDERDONK 
AMERICAN: 1882— 


No. 56— THE CLOSE OF A SUMMER DAY 


/ i Rite Canvas: Height, 12 inches; length, 18 ifiches 
| : PAV ee AI 


Lusu meadows with pools of water occupy the foreground. On the lett (4 re 
groups of trees and on the right, farther away, is a belt of trees. The sky slows 
an effect of evening in its expanse of tempered blue with rose-tinted floating 
clouds. 


Signed at the lower left. 
Property of the Estate of the late Dr. M. C. Govt. 


WILLIAM J. WHITTEMORE 
AMERICAN: 1860— 


No. 57— NEAR THE LIGHTHOUSE 
) 7 Water color: Height, 1114 inches; length, 1914, inches / 


ol Vo x é 
Tue lighthouse, a conical white structure, stands Site rocks and sands on a 
low, treeless shore, and back of it the top of a dwelling can be seen across a 
sloping foreground of verdure. 

Signed at the lower left, Wm. J. Wuirremore. 
Property of the E. A. Bicetow Estate. 


KRUSEMAN VAN ELTEN, N.A. 
AMERICAN: 1829—1904 


No. 58— EVENING Ot 2 asi 
: LA (\Syrncrt ] 
/ ae 5 fA Canvas: Height, 121% inches; length, 18 inches (/ 


In the right foreground is a stream. On the bank, at the left, a group of 
trees; hills in the distance; evening sky with pink-tinted clouds. 


Signed at the lower left. 
Property of a Lady. 


ALFRED THOMPSON BRICHER, A.N.A. 
AmeERIcAN: 1839—1908 


No. 59— MARINE of. oe 7 ES oe 


/ art Water color: Height, 1334 inches; length, 1934, inches 


VioLer and purple-gray clouds are seen banked at the horizon, and swept by the 
wind sifting aloft in lessening mass in a greenish sky of fading light. Below, 
gulls are flying low over a ruffled sea, whose waves leave varied markings on 


grayish-yellow sands. 
Signed at the lower right, 84, A. 'T. Bricuer. 


Property of the Estate of Mrs. T. Gairtarp THomas, 


JASPER FRANCIS CROPSEY, N.A. 
AmERICAN: 1823—1900 


No. 60— LANDSCAPE 


Gt Canvas: Height, 12 inches; length, 20 inches iy 4 
A view from a hillock, with a sedgy pool, overlooking the Hudson. On a 
headland, or point, that juts out in the water with irregular outlines, are 
buildings, and on the broad bosom of the river is a steamboat with black 


smoke drifting from the funnel. 
Signed at the lower left, and dated 1893. 


Property of the Estate of the late Dr. M. C. Gouxp. 


GEORGE M. BRUESTLE 
AMERICAN: 1872— 


No. 61— A GRAY DAY 


Panel: Height, 14 inches; length, 18/inches Le 
ib) se VO Le, 


Ar the left a red building with peaked roof and outbuildings att shed; a farms: 
house beyond. On the right farm fields and a glimpse of distant hills. The | 
gray sky is atmospheric in quality. 


1 


Signed at the lower right, and dated 1905. ae 


Property of the Estate of the late Dr. M. C. Govt. 


ARTHUR W. DOW 


AMERICAN: CONTEMPORARY 


No. 62— | _ EVENING 
S ue Canvas: Height, 12 inches; length, 20 inches va 
4 4. ak A 
GREEN meadows occupy the entire foregroun a the middle distance, near 
upy & 
the left-center, is a clump of trees. The evening sky shows tints of rose at 
the horizon and is gradated Geers to tempered blue. 


Signed at the lower left, and dated 1890. 
Property of a Lady. 


JAMES CRAWFORD THOM 
AMERICAN: 1835—1898 


No. 68— FISHING Vie e 0 


Water color: Height, 14 inches; length, 203, inches 
Sera se 
Two children have come down to a pond or shallow stream to fish, a boy 
who holds the rod and watches the bobber intently, and an older girl who 
holds the bait can a little higher up on the green bank behind him. 


Signed at the lower right, J. C. THom, ’81. 


Property of the Estate of Mrs. T, Garrtarp Tomas. 


EDWARD HENRY POTTHAST, N.A. 
AMERICAN: 1857— 


No. 64— LATE EVENING 


if oe Canvas: Height, 15 inches; length, 20 inches OL 
. ‘ - (PUSHY 


A VILLAGE street in France with houses and walls on either side apd a man 
driving two cows homeward at nightfall. The sky is of greenish-blue with 


crescent moon. 
Signed at the lower left. 


Property of the Estate of the late Dr. M. C. Gou pn. 


ALBERT BIERSTADT, N.A. 
AMERICAN: 1830—1902 


@ 


No. 65— THE WATERFALL 
eae Canvas: Height, 16 inchés; length, 20 inches 
. 3 7 Cyrae [Sernnrrst Ugenrt ba 
On the left of the composition a Fae drops sheer down a rocky cliff break- C 


ing into foaming waters midway in its descent, and plunging onward still 
farther amid great boulders until it reaches a stream in the etxreme right 
foreground, at the base of a precipice. Beyond, between the cliffs, is a vista of 
wide plains and mountains with a stormy sky overhead filled with threatening 


dark clouds. 
Signed at the lower left, and dated 1873. 


By order of Executors. 


WILLIAM BRADFORD, A.N.A. 
AMERICAN: 1830—1892 


_ No. 66— IN THE arctic Ick FieEtps «= 777. Carre 


of ]s27 Canvas, backed with a wood panel: Height, 20 inches; width, 16 inches 


A THREE-MASTED, square-rigged ship, with high, stout hull, moving slowly 
through the ice fields of the Arctic seas. At the right, in the distance, is 
another ship following the foremost, and the mass of a snow-capped iceberg. 
The picture shows a night sky and moonlight effect. 


Signed at the lower right. 
By order of Executors. 


AAW 


EDWARD PORTIELJE 


ANTWERP: cog ae f Has. 


No. 67— RECONCILIATION 
Panel: Height, 1734 inches; width, 141, inches 


has : 
A croup of two figures in a cottage interior. A young wife, in a dress of 
grayish white and with a white mob cap, is standing in full face view in the 
center of the composition, holding a rose in her right hand, while her left — 
hand is taken by her husband who leans over a table and looks up at her. 


Signed at the lower left. 


The artist’s seal on back of panel. — e 4 
Property of a Gentleman, , ae 


J. VISSCHER | 
AFTER BrrewEen)/y ae Sie ae 


No. 68— - LANDSCAPE AND CATTLE 
3 7 Engraving: Height, 131% inches; length, 1714 inches 


A composition in which cattle are seen standing in a pool, at the left, and 
lying down on a grassy mound, at the right. The other elements are two 
figures and a dog, trees and ruined walls. 


Property of the Estate of the late S—nuior Satvapor DE MENDONGA. 


SEBASTIANO RICCI 
Irautian: 1658 or 60—1734 


No. 69— ieee oe o Oe 


ve Canvas: Height, 1814 inches; width, 141, inches 
pice 


Bust portrait of the Florentine priest and preacher: dark-colored robe and 
dark background. 


Property of the Estate of the late SenuHor Sarvapor DE MENDONGA. ~ 


ADOLPHE ALEXANDRE LESREL 
Frencu: 1830— 


No. 70— THE SHOPPER - 
lA 0 mete: Height, 18 inches; width, 15 inches £. VM HA COD nm aa 
: “ 

On a window shelf opened to a roughly paved street, a woman vendor has dis- 

posed of some flowers, and she is endeavoring to sell an image to a grand lady 

passing. The lady is brilliantly gowned, in white and gold and royal blue, 

adorned with gold fleurs-de-lis and ermine. 

. Signed on the doorstep, A. Lrsret, 1872. 

Property of a Lady. 


EUGENE ISABEY 
(ATTRIBUTED TO) 
Frencu: 1804—1886 


noo 1— AT THE HOTEL DE CLUNY 
eS ——— Water color, with pen and sepia: Height, 141%, inches; lendt 


Foe UTS. 


, attendants, and 
h century. A red 


Tue courtyard of the Hotel de Cluny in Paris, with horse 
ladies, at the doorway, on the right; costumes of the fifte 
banner flies from the tower at the right. 


Property of the Estate of the late Senuor Satvapor p—E Menponca. 


NEWTON BRABY 


ENGLIsH 


‘No. 72— A SILENT PRAYER 


iy os Canvas: Height, 21 inches; width, 17 inches af Vive 


On a broad bench along the wall before a deep set window with colored glass, 

. : : ee V 
in an English country house of an early period, a young girl, in dress of black, 
with white collar, cuffs and cap, is seated, holding an open bible on her knees. 
The artist’s title for the picture suggests that her thoughts are with the 
absent, and the costume and the accessories of the interior denote the proba- 
bility of the absent one having gone to the wars between the Roundheads and 
the Cavaliers. 


Signed at the lower right, and dated 1900. 
Property of a Private Collector. 


(Baron) TJARDA van STARKENBORGH 
GERMAN: 1822— 


No. 73— LANDSCAPE 4 y Spore 


=> ve Canvas: Height, ad inches ; length, 24 inches 

Sees | ; 
A LAKE amid mountains, the view being taken from a roadway on high ground 
overlooking the lake. Two men, who have dismounted from their horses, are 
standing in the road conversing. Overhead is a summer sky of pale blue ee 
white clouds. : om 

Signed at the lower Hight. ie 
By order of Executors. tae 7 
FREDERICK EDE 
Scanpinavian: 1865— | | 

No. 74— THE BROO VN ee 

[ Ge Canvas: Height, 181%, inches; length, 22 inches 

id 
A strEAM in the foreground, reflecting the sky and green foliage, runs under 
a bridge, in the middle distance. On either side are seen green fields and a 
highway. Sarr 
Signed at the lower left. 
Property of a New York Collector. 
FREDERICK EDE caavien 
SCANDINAVIAN: 1865— 
oe No. 5— THE BRIDGE 
RR ee sie Canvas: Height, 191% inches; length, 234, inches 


A swirtLy flowing river occupies the entire foreground of the picture, with 
the sky of gray and blue reflected in its waters. In the middle distance, crossing 
from bank to bank, is a rustic bridge. 

Signed at the lower right. 
Property of a New York Collector. 


C. BECKER 


GERMAN 


No. 76— ROSALIE ng f l, Sn ea 


ac Canvas: Height, 25 inches; width, 181/, inches 
f- 9 — 


Tue head and bust of a young woman with luxuriant brown hair, in full face 
view. Her costume is a crimson robe with wide ruff of openwork linen of large 
pattern. 


Signed at the upper right, and dated 1872. 
Property of a Gentleman, 


JULIAN ONDERDONK 
AMERICAN: 1882— 


No. 77— VIEW FROM THE PALISADES 


f\ 
Canvas: Height, 14 inches; length, 20 inches a } 1 EEL AD 
A ——— 


Tue foreground shows the steep hillsides of the New Jersey shore of the 
Hudson, the lower lands, dotted with houses, showing below. Beyond are the 
broad expanse of the river and the New York shore with the buildings of 
the city bathed in afternoon sunlight. Overhead is a sky of blue with white 


clouds. 
Signed at the lower right. 
Property of the Estate of the late Dr. M. C. Goutp. 


BENJAMIN EGGLESTON 
AMERICAN: 1867— 


Ds Fig 
No. 78— ANCIENT DAYS ~ ve 
Canvas: Height, 16 inches; length, 20 inches eA V OD Fg Wi, See 


Two young women, one semi-nude, seated; the other, in b - robes, standing 
beside her. The setting is composed of a landscape with a pool in the im- 
mediate foreground, a valley in the middle distance, with temples crowning the 
hills at the left, and a blue sky with a mass of rose-tinted clouds. 


Signed at the lower left. 
Property of the Estate of the late Dr. M. C. Gourp. 


@ 


JUNIUS B. STEARNS, N.A. 
AMERICAN: 1810—1885 


No. 79— JACK AND JILL 


Canvas: Height, 20 inches; width inches 


A soy and a girl, with a doll and an meartgaicl water pail, are depicted on — 
the grass at the foot of a hill where they have both tumbled down. The — 
landscape comprises, besides the grassy hillside, a group of trees at the right 
and a view of the sea beyond. Sky of blue with white clouds at the horizon. 


Signed at the lower right, and dated 1881. 


Property of the Estate of the late Dr. M. C. Gout. 


JASPER FRANCIS CROPSEY, N.A. 
AMERICAN: 1823—1900 


No. 80— ; SUNSET? : + “Sk CA 


PN Canvas, backed with a wood panel: Height, 15 inches ; length, 24 inches 


A view, from the suburbs of a town, over a harbor with hills at the horizon. 
The sun is seen setting in a sky filled with clouds of crimson and gray. 


Signed at the lower right. 
By order of Executors. 


GEORGE HENRY SMILLIE, N.A. 


AMERICAN: 1840— 4, 
No. 81— SPRINGTIME 
Canvas: Height, 16 inches; length, 24 inches 
of ater 


A smiLine garden landscape with a brick cottage, in the left-center, embowered 
by fruit trees in full blossom. The effect is of sunlight, with shadows cast 
by trees on the left on the grassy foreground. 


Signed at the lower right; on back of canvas, the date 1910. 


Property of the Estate of the late Dr. M. C. Govtp. 


CHARLES COURTNEY CURRAN, N.A. 
AMERICAN: 1861— 


No. 82— LISTENING TO THE WAVES 
el Canvas: Height, 22 inches; width, 18 Gr 


mi D prvg 


A youne mother with a child, seated on the arm g an sy a The child 
holds a shell to its ear and shows in its face interest ‘dnd delight in hearing 
the roaring sound of distant breakers. 


Signed at the lower right, and dated 1907. 
Property of the Estate of the late Dr. M. C. Govutp. 


ELLIOTT DAINGERFIELD, N.A. 
AMERICAN: 1859— 


No. 83— WASH DAY ee ” , 
: | ieee ee NV VL rp 
ip oe ae 3 Canvas: Height, 22 inches; width, 18 inches () 
A pDOmMEsTIC scene in the South, showing two colored women, one at a wash- 
tub, the other carrying a big basketful of clothes. At the left, an iron boiler 
over a wood fire in the yard. A white house, other farm buildings and trees 


form the setting for the figures. The sky, seen beyond, is of blue, with white 
clouds. 


V 


Signed at the lower right, and dated ’87. 
Property of the Estate of the late Dr. M. C. Gout. 


MAX WEYL 


AMERICAN: 1837— 
be UCner ae GQ Lf 
~ 


No. 84— THE WOODS AT PAUL SMITH’S 
—— Canvas: Height, 18 inches; length, 24 inches 


In the left foreground a brook meanders through sparse woods, all the lower 
part of the composition being in shadow. Between the trunks is a vista of 


Adirondack forest in full sunlight. 
Signed at the lower left. 


Property of the Estate of the late S—enuHor Satvapor DE MENDONGA. 


oc 


a 
Jp 


Faxey Sr pate Panel: Height, 2134 inches; width, 18 inches 
ST O 


FREDERIC H. MANS 


Dutcu: SEVENTEENTH CENTURY 


No. 85— THE RENDEZVOUS 


rae Panel: Height, 21 sa a 1 inches Cana 


THE mise-en-scéne consists of a evi: Pea in the left CA Gores on the 
bank of a stream which flows past a town in the Netherlands. <A party one 
mounted officers and townsfolk have gathered at the landing ‘place and the 
officers are evidently seeking information from the people. Boats, with sailors, 
are drawn up at the quay and the buildings of the town fill the left portion 
of the composition. ‘The sky overhead is characteristic of the Low Countries, 


showing spaces of blue with gray clouds. 
Signed at the lower right, and dated 1679. 


Property of the Estate of the late SeNuoR SALVADOR pE MENDONGA. 


MATEO CEREZO 
SPANISH: 1635—1675 


No. 86— HEAD OF CHRIST 


Canvas: Height, 211, inches; width, 181%, inches 


Tue Saviour in agony, with crown of thorns. The face i va turned to t right. 
From the Agnado Collection. eave hyren A 


Property of the Estate of the late SeNnuor Satvapor pE Menponga. 


GEORGES CROEGAERT 


BELGIAN: og vn, uP tee 


No. 87— THE DISPUTED Mia: 


Mownsienorti in red and purple are shown in a palace hall of elaborate decora- 
tion, one, with an open volume on his lap, brought to book by a another who 
imperiously directs his attention to a page of a book which he himself brings 
up, while a third looks in judicial disapproval at the brother in error. 


Signed at the lower left, Grorces CroeGAErT, Paris. 
Property of a Lady. 


WILLIAM JAMES MULLER 
Enewuisuo: 1812—1845 


No. 88— ARABS RESTING 7/. 7//. oe Sp rer ce Ag prt 


2 i st Canvas: Height, 1914 inches; length, 251%, inches (/ 


In the foreground a sheik is seated, with his servant, on a rug spread on the 
sand. At the left, two other men and a camel. The setting for the groups 
is a sandy expanse of country with a ruined temple. In the distance is a 
range of hills. Through rifts in the clouds of white and gray are seen spaces 


of dark blue sky. 
Signed at the lower right. 


Property of the Estate of the late Senuor Satvapor pe MENDONGA. 


REMBRANDT SCHOOL 


No. 89— —| CHRIST IN THE TEMPLE - 


2 4 e Panel: Height, 20 inches; length, 26 inches ee ees Ms hie 


eee 


A soMBRE interior with a group of doctors and pundits in the left center of 
the composition. In the midst of them the youthful Christ at the knee of a 
rabbi, who is seated and holds a parchment while making a gesture with his 
right hand as he expounds the text. 


Property of the Estate of the late Srenuor Satvapor pe MENDONGA. 


A. STAMMEL 


GERMAN 


No. 90— IN THE ART GALLERY (\ 
6 7eu = Height, 28 inches; width, 21 inches y  aksaen 4 ¢. IA 
/ 
4 PICTURE of two German peasants standing in one of fhe: rooms of a museum 
of art. The man is gazing at a statue of the Venus de’ Medici, while his wife 
looks out of the corner of her eye and clutches the skirt of her husband’s 
coat as if anxious to draw him away to some other attraction. 


Signed at the lower right, and dated 1861. 
Property of a Gentleman. 


GUSTAAF WAPPERS 
German: 1803—1874 


No. 91— VAN DYCK AND HIS MODEL 


f ie ‘ Panel: Height, 261, og th, sence 


A GENRE picture of the nineteenth century peers school depicting an artist 
caressing his model at a moment of repose during the sitting. : 


Signed at the lower left. 


Property of the Estate of the late Senuor Satvapor pe MENDONGA. 


CESAR PATTEIN 


FrRENcH: CONTEMPORARY 


No. 92— HARVEST DAYS 
. ms aeons Height, 2314 inches; length,\281, % 
Tue setting sun casts a rosy glow across and landscape, and heightens 


the fresh color of a ruddy-cheeked peasant yirl with ruddier hair, who stands 
in the foreground smiling, a large sheaf of wheat over her shoulder and further 
gleanings in her rolled up apron. Two smaller girls are seated on the ground 


beside her. 


Signed at the lower right, César Parretn, 1905. 
Property of a Lady. 


WILLIAM MERRITT POST, A.N.A. 
AmERIcAN: 1856— 


No. 93— LANDSCAPE 


u Canvas: Height, 22 per i th-28 inches 
i a 0 LAVA ty tye 


A sTREAM in the foreground, trees, shat We of leaves, on the bank; at the 
right; meadows in the middle digance and hills beyond. Overhead a sunset 
sky with golden and rosy tints at the horizon. 


Signed at the lower right. 
Property of the Estate of the late Dr. M. C. Gout. 


ALFRED THOMPSON BRICHER, A.N.A. 
AMERICAN: 1839—1908 


: No. 94— ON THE COAST OF MAINE eS 
cs Canvas: Height, 15 inches; length, 33 inches oaaY gah 
ce ae : : DW WT. 
= _ A sanpy beach, with rocks at the left, in the foreground; the sea peo with 
Be distant headlands, both on the right and the left; late afternoon stinlight 
pus effect, and the sky showing warm light and a bank of gray cloud at the 
4 horizon. 


Signed at the lower left. 
Property of the Estate of the late Dr. M. C. Govxp. 


JAMES G. TYLER 
AMERICAN: 1855— 


y 8 vt ; 2h eee : nS : Sa = = o A ) 


No. 95— _ BEFORE THE WIND 


j - . Canvas: Height, 30 inches; width, 25 edie d my WA ee 
{ £ 


A TWO-MASTED vessel advances before a good breeze that fills all her sails. 
The mass of the ship and canvas is effectively depicted in the wide ocean, 
which is lit up by the moon, high in the sky. The vessel’s port and starboard 
lights form effective, high notes of green and red, which are reflected on a 


great wave in the foreground. 
; Signed at the lower right. 


Property of a New York Collector. 


JAMES CRAWFORD THOM 
AmERICAN: 1835—1898 


No. 96— SHEEP GOING TO WATER 


. ° ° P ara 
[ —<~o* Height, 22 inches; length, 36 inches l y V4 


Comine down from the left over a rough field is a flock of sheep attended by 
: a bent shepherd who trudges beside them. Ambling close together, the sheep 
are heading after a solitary leader making his way toward a stream or pond 
in the right middle distance. 
Signed at the lower right, J. C. THom. 


Property of the Estate of Mrs. T, Garttarp THomas. 


- 7) oe ee ee 


FRANCOIS BIARD 
FrencH: 1800—1882 


No. 97— A SENSATIONAL PICTURE 


a Canvas: Height, 22%2 f ches; nat, 26%, anche 
/ f f emcee 


Tue scene depicted shows a great crowd of visitors in one of the art galleries ie 
of the Louvre in the time of the Second Empire. Some of them seem to be lost 
in admiration of one of the pictures on the wall at the left while others decry _ 
it with forceful gestures. Discussions are going on and the personages are 
depicted with humor as, for example, the group of three art students in the __ ) 
left foreground. : ae 


Property of a Gentleman. 


R. von MOELLER 


oN | 
VAN 
No. 98— | IN aS: 


Canvas: Height, 18 inches; length, 301% inches 


——, tv 
ME iaars 
A caravan of Arabs in white burnouses, with camels and donkeys, crossing 


a desert. In the foreground, a driver precedes a camel bearing a figure ciothed 
in white. The sun casts long shadows from the left across the picture. 


Signed at the lower left, and dated Mtncuen, 1881. 


Property of the Estate of the late SeNwor Satvavor DE MENDONCA. 


ERNEST L. BLUMENSCHEIN, A.N.A. 
AMERICAN: 1874— 


No. 99— — A SPANISH LADY Sap 


P hoa coe Canvas: Height, 291, inchgs; ee 20 Vn 
7 4 A, -® 


Vix 
A FULL-LENGTH figure of a young woman, wi iY mite mantilla, standing, 


an expectant attitude, in a baronial hall. her right hand she holds a 
tambourine. The picture is painted in i of gray. 


Signed at the lower right. 
Property of the Estate of the late Dr. M. C. Gout. 


E. LOYAL FIELD 
AMERICAN: 1856—1914 


No. 100— LANDSCAPE 


Canvas: Height, 20 inches; length, 30 inches YL; IL. oA YViAAg Ke 


/ 7 ees 
| a: composed landscape with meadows and a brook in the foregrou 
a group of tall oaks on the left and others in the right-center, with a atin 
nearby. Over all is a sky of gray clouds. 


LZ 
ee ey, . ‘cal PST Ss : oe 
Pe aS Tae :] SAT ea + : 

A Se Ener Spe a VEY a Obes 
. is. Vee 
eye eR ee era pe 
e 2 ge : 
r ‘ . : 
~ “a 
a 


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Signed at the lower left. 


Property of the Estate of the late Dr. M. C. Gouxp. 


oP Re ee 


ALFRED THOMPSON BRICHER, A.N.A. 
AMERICAN: 1839—1908 


No. 101— SUMMER AFTERNOON: NANTASKET BEACH 


[ se Canvas: Height, 18 inches; length, 36 inches vA oe ag Doe 


Two young wonien, one reclining on her elbow on the sands, the other seated 
with a parasol beside her, and an older woman standing farther off, are en- 
joying a fine summer day at the seaside, where the water, moved by gentle 
airs, laps the beach lazily, in wandering lines of sluggish foam. 


Signed at the lower left, A. T. Bricuer, 1877. 


Property of the Estate of Mrs. T. Gairrarp Tuomas. 


GUSTAVE WIEGAND 
AMERICAN: 1870— 


No. 102— AMONG THE HILLS | 
oe se ‘ Canvas: Height, 25 inches; length, 30 inche | Ae ec RIFE res te 


Tue flat, rock-dotted plains of a valley and tall trees in autumn foliage oc- 
cupy the foreground and middle distance. Beyond are high hills. The sky 
is of blue with white clouds, well-observed as to form, and the effect is of 
afternoon sunshine. The color is both agreeable and veracious. 


Signed at the lower left. 


Property of the Estate of the late Dr. M. C. Govurp. 


JOSEPH COOMANS 
BEtciAn: ae 


No. 103— SURPRISE Ieang fA 


G os je Canvas: Height, 32 inches; width, 26 inche 


A THREE-QUARTER length, life-size figure of a young woman in a Greek costume 
of white and lilac pink, with a wreath of morning-glories on her fair hair. 
The head is turned to the left, and the robes are held close to the figure, while 
the hands hold a distaff and a bobbin, the attitude suggesting that the young 
woman has been surprised at her work by some intruder. ‘The work gives 
evidence in its execution of the clever technical ability, as well as of the his- 
torical knowledge, of a painter whose favorite subjects were found in classical 
antiquity. 

Signed at the lower right. 
Property of Miss EK. V. Cocxcrorr. 


Pe; HERZOG. , 
GERMAN wes \l tee = 
No. 104— = LANDSCAPE AND Sot ete | 
b See Canvas: Height, 24 inches; length, 351%, inches 


Aw Alpine landscape with foreground on the right, where a shepherdess is 
seated on a rock and sheep are grazing. To the left, and beyond in the 
center of the picture, are steep, rocky mountain slopes, snow-capped peaks, 
a waterfall with a thin stream, and a lake. Sky of blue and gray. | 


Signed at the lower right, and dated 1876. 
Property of a Gentleman. 


LUCIAN uae 


No. 105— VENICE Mae 1 Cees 


/ / roa oe Canvas: Height, 25 inches; length, 37 inches 
5 I 


A view in Venice, with the Campanile and St. Mark’s, on the left. Boats 
with sails are seen in the water in the nearest plane of the picture, on the 
right, and buildings appear in the distance. The sun is just above the 


horizon in a haze of misty atmosphere. 
Signed at the lower left, and dated 1899. 
Property of the Estate of Lorena L, Barper. 


UNKNOWN 


No. 106— CANDLELIGHT 


Canvas: 3634 inches square loals fo. 
= aa NK). 


A cOmPposiTIoNn with two half-length figures, one an old woman, with a ake 
on her left arm and a lighted candle in her right hand; the other, young, 
holding a candle to the flame in order to light it. The faces of the two are 
illumined by the light of the candle. 


Property of a Gentleman. 


ANTONIO PODEUM 


No. 107— PORTRAIT OF A GERMAN COUNT 
Canvas: Height, 37 inches; width, 29 inches 


¢ - ls g 
Sees 7 Bann neckes, 
A HALF-LENGTH, life-size portrait of a German nobleman, in crimson-red coat 
ornamented and embroidered with gold; steel breastplate under the coat; white 
lace necklace and white glove. The head is turned to the right into nearly 
full-face view and is dressed with a wig of curling, gray hair. The left hand 
rests on the hip. 


Property of the Estate of the late S—ENHor Satvapor pe MENDONCA. 


F. BRUNERI 


FrEeNcH: CONTEMPORARY 


No. 108— GETTING READY FOR MARKET 
Height, 24 inches; length, 36 inches 


Yj 
J, Fo 9 ° Yuet! AY (ree (Mea 
Venetian houses line a canal on the left, and on the right I¢ back a little 4 
from the water, with a grass bank or garden plot before them. Here boats 

loading with vegetables are drawn up at the shore-line, and people who know 

how to pause in industry are seen on the bank. 


Signed at the lower right, F. Brunert. 
Property of a Lady. 


ses 


LEON CAILLE 


FRENCH: ce , 
No. 109— READY FOR SCHOOL 
Canvas: Height, 54 inches; width, 35 inches 


A FULL-LENGTH figure of a young mother who is depicted in the act a 
her little girl an apple to put in her lunch basket. The setting 
incident is the kitchen of a French country home, and the costumes 
the eighteenth century. Shae 
Signed at the lower right, and da 


Property of a Gentleman. 


PETER BAUMGARTNER 


GERMAN: 
Cres. Va cL 
No. 110— THE AUCTION SALE ee: 
Canvas: Height, 491 inches; length, 62 inches as = oe 


AR PSD, 
F 


Iy an artist’s garret studio a sale of his pictures and effects is taking place 
before a numerous company of townspeople which includes two priests, artists, 
housewives and children. The auctioneer, at a high, improvised pulpit, cov- 
ered with a piece of studio drapery, is holding up for inspection a framed — 
picture of a Madonna, while two men on tiptoe are reaching up to examine 
it closely. The animated scene is depicted with a quiet sense of humor, ae, 
the work is a good example of competent German genre painting. 


Signed at the lower right, and dated Mincuen, 1863. aA, ; 


Property of Miss E. V. Cocxcrort. oe 2 , 


iCOND EVENING’S SALE 
THURSDAY, MARCH 30, 1916 
| AT THE AMERICAN ART GALLERIES 


BEGINNING AT 8 O'CLOCK 


ion EUGENE FICHEL 
ss Brencn: 1826—1895 
i Pt ieee : f* e 
. = SI | Uy 
7 THE MUSIC LESSON VY 1 Packup 


_ Panel: Height, 61, inches; width, 5 coer fe 


~~ 


ee ouNG } man in long crimson coat and knee breeches is playing a flute, with 
jee ne e music sheets on a stand before him, while his instructor, an elderly man with 
: “A ete oa stands at his side. An example of highly finished genre paint- 


aa Signed E. F. at the lower right. 
‘ope + of the Estate of the late SesHor Satvapor pe MeNponca. 


NICOLAS TOUSSAINT CHARLET 
Frencu: 1792—1845 


Ne 112— AFTER THE BATTLE 
he oe = 1 


A. SCENE in a church, which is being used as a military hospital, with a 
wounded man, in the foreground, stretched out on a bed of hay. A priest, 
—— over him, and another soldier complete the grow. This picture 
possesses special interest as it is the work of a celebrated French painter of 
battles and military life who was the founder of the school that produced, after 
the war of 1870, such artists as Detaille and de eg He was a pupil 


_ of Baron Gros. 
Signed at the lower left. 


Property of the Estate of the late Senuor Satvapor be MENDoN¢a. 


G2 


Water color: Height, 74 inches; width, 5%, inghes € eg tea hie 
Pye, ~SOAAL 


GERARD TERBURG 
(ATTRIBUTED TO) 
Dutcu: 1608—1681 


No. 118—PORTRAIT OF A DUTCH BURGOMASTER 
/ 5 Ce Copper panel: Height, 7 inches; width, 61, inches 


Hatr-Lencru figure of a middle-aged man, in/lack robe with white collgi 
and wearing a black skull cap, seated at a table, hélding a pen in his right hant 


Property of the Estate of the late S—ENHor Satvapor DE MENDONGA. 


REMBRANDT VAN RIJN 
Dutcu: 1606—1669 


pe 
No. 114— PorTRAIT 9, LAA i YL, 


=? ome Etching: Height, 7 inches; width, 41% inches 


A HALF-LENGTH portrait of an elderly bearded man in cloak trimmed with fur 
and wide, flat cap. The hands rest on the handle of his walking stick. 


Signature at the upper left, and dated 1642. 


Property of the Estate of the late Senuor Satvapor pe MENDON¢A. 


WINSLOW HOMER, N.A. 
AMERICAN: 1836—1910 


No. 115— BREAKERS JL LI VINE 


/ Water color: Height, 31/7, inches; length, 94, /inches 
A PICTURE, in monotint, of the sea with breakers rolling in. 
Signed at the lower left, and dated 1880. 


Property of the Estate of the late Dr. M. C. Gouxp. 


WILLIAM MERRITT CHASE, N.A. 
AMERICAN: 1849— 


No. 116— THE GUITAR 
Canvas: Height, 8 inches; width, 6 inches () 


7s POPU ONE ry, 


A THREE-QUARTER length seated figure of a lady, in a go of light green, 
playing a guitar. 


/ 


Signed at the lower right. 
Property of the Estate of the late Dr. M. C. Govt. 


BARON FRANCOIS PASCAL GERARD 
Frencu: 1770—1837 


No. 117— PHRYNE BEFORE THE TRIBUNAL 
4t Height, 61 inches; length, 834 inches , 4 J 
a mM CV) 


Tue famous Greek stands with arms arched above her head, smiling before 
her judges, her transparent drapery rolled down to her hips by her defender, 
who grasps it, while with a gesture of his free hand he calls for the judgment 
upon her beauty. 


ea) 
Property of the Estate of Mrs. T. Garttarp THomas. 


AUGUSTE TOULMOUCHE 
Frencu: 1829—1890 


No. 118— PORTRAIT OF A LADY 


Height, 5% inches; width, 5 inches oS va 7 
, : : CK 
more 


Heap and bust portrait of a young matron, depicted in profile to the left, 
Her head is inclined slightly forward and she wears a pink rose in her dark 
brown hair. Her décolleté waist is dark blue and a black lace scarf is lightly 
draped about it. 

Signed at the left, A. TouLMovucHE. 


Property of the Estate of Mrs, T. Gaittarp Tomas, 


NARCISSE VIRGILE DIAZ DE LA PENA 
 Frencn: 1807—1876 


No. 119— STANDING FIGURE 


(Le es Panel: Height, 5% inches; fee As a 


P (/ L 4 oe 


nf 


‘ a 


inches 


A man in a blue cap and a long grayish rgb¢ loose y girdled is standing with , 
his back to the spectator and head turned to/the right, his face seen in Png 
He is in the green interior of a wood, in a softly diffused light. eae 
ag 
Property of the Estate of Mrs, T. Gatrirarp THomas. ee 


“ See 
ne Pen 
‘a 
~ 


ROSA. BONHEUR 
Frencu: 1822—1899 


No. 120— DRIVING THE HERD 
Drawing: Height, 4°34, inches; Bee inches 


o. 


om I< OZ A 
A PENCIL drawing showing a herd of oxen being driven/y two cattlemen, who i 
are seen at the right, with their dog. In the foreground, another dog is bark- 
ing at a steer on the outer edge of the herd. An excellent bit of work by the © 


celebrated animal painter. : 
Signed at the lower right. 
Property of the Estate of Lorena L. Barper. 


ANTOINE VOLLON 
Frencu: 1833—1900 


No. 121— STILL LIFE 
oe Panel: Height, 71 inches; oe. inches 
rf eae es 


Four copper and brass household utensils lying on a table—that is all, but a 
softness of light and color and reflections, and truth of surface, notably in 
the copper, are here, with a most unusual color arrangement of the background. 


Signed at the lower right, A. Votton. 
Property of the Estate of Atrrep Henry Lewis, Esa. 2 


> an 


YC a ea Se ig 
= Pe eter 


CHARLES EMILE JACQUE 
Frencu: 1813—1894 yor 


i N o. 122— SHEEP 


Height, 71/4, inches; length, 12 inches Ce. Dandarie Ge 
Gi interior of a sheepcote a 


slant of light falls across two sheep, one of 

whom stands with head up, the other with his nose just raised from the ground, 
where a basket of fresh grass or greens has just been emptied. 

Signed at the lower right, Cu. Jacque. 


Property of the Estate of Mrs. T. Gatttarp Tuomas. 


MAURICE LELOIR 
Frencu: 1853— 


No. 123— | THE BALCONY G - et ng. Pt A RA 


y c? Water color: Height, 934, inches; width, 7 inches 
4 ee 


Tue seated figure of a lady in a balcony, with circular front, looking through 
a glass, with single sight. She is dressed in costume of the time of Louis 
Quatorze and holds a fan in one hand. The background is composed of 
landscape scenery and a green curtain falls at the side of the balcony at 
the right. 

Signed at the lower right, and dated 1884. 


Property of the Estate of the late S—eNuor Satvapor DE MENDONCA. 


JAMES STARK 
Enewisu: 1794—1859 


fe 


. 12: LANDSCAPE yy ‘-— men en WD 
No a Vir te ner" nied 
/ 3 ie Canvas: Height, 81, inches; length, 12 inches j 


A rnoapway, with great trees on either side, leads into the right of the picture 
from the left foreground. On the farther side of the road is a flock of sheep, 
lying down. Two small figures at the right. 


Property of the Estate of the late S—ENHor Satvapor DE MENpDoNGA, 


SIR DAVID WILKIE, R.A. 
ScorcH: 1785—1841 


No. 125—_ THE FESTIVE BOWL 
oe ee Water color: Height, 81, inches; lengfh, 17 oe inches 


THE evening is well spent and a roysterin compaaly ihe kai rustics, “boys and 
girls together,” old and young, are well in their ¢yps, gleeful and amorous, 
lively and vocative. An irate young man who has just burst in threatens to 
draw his sword, irritated, apparently, at a saucy wench who dances defiantly, 
while the merry fiddler trips a light toe in her company. 


Property of the Estate of Mrs. T. Garttarp THomas. 


A. ROOSENBOOM 


No. 126— THE CHILDREN’S PASTIME 
/ Gienne su Panel: Height, 12 inches; width, 101, co 


A LITTLE boy and a little girl diverting Mere 4 A pind cards rg 
they have folded and made to stand upright on the polished surface of a table. 


Signed at the lower right. 


Declaration of the artist on a label on back of panel that he painted the picture to the 
order of A. Huyveth, of Antwerp, with signature and date, Brussels, 1883. 


Property of a Gentleman, 


LUIGI LOIR 
AUSTRIAN: 1825— 
No. 127— BRIDGE IN WINTER 
b y oe Water color: Height, 101% chor ngth, 1334 inches 


rn res 

On a bridge across a river, leading directly rom the spectator toward 
city buildings on the farther shore, a single dart and numerous pedestrians are 
seen, including several soldiers. Their tracks are seen in the wet snow. 


Signed at the lower right, Lom Lutat. 


Property of the Estate of Atrren Henry Lewis, Esa. 


BENJAMIN EGGLESTON 
AMERICAN: 1867— 


No. 128— READY FOR THE BATH 
/ 44 Canvas: Height, 10 inches; width, 8 inches ) ee A Cn 


THREE-QUARTER length nude figure of a young woman}éeated on a piece of 
white drapery spread out on the bank of a lake. The head, in profile view, 
is turned downward as the young woman looks at the inviting waters. The 
ki background is composed of trees with a view of the farther shore of the lake, 


hills and sky. 


Signed at the lower right. 
Property of the Estate of the late Dr. M. C. Gourn. 


DAVID JOHNSON, N.A. 
AMERICAN: 1827—1908 


No. 129— LANDSCAPE 
/ $e Panel, oval: Height, 9 inches; width, 8 inches 


A stTreAm flowing placidly through a valley, verve AE Aintre At the 


left are groups of trees and a small figure of a woman with a red shawl seated 
on the grass. In the center of the picture rises a mountain peak, partly 
wooded. The sky is of blue with white clouds. 


By order of Executors. 


FLORENT WILLEMS 
Bewieran: 1823—1905 


No. 130— THE BOOK OF POEMS 
/ st Panel: Height, 12%, inches; width, 91, inches 
a 


7 AIAN LN 
A BLonp young lady in a dress of salmon-pink satin Ghee, . right / = 


hand resting on the back of a chair and the left holding a small volume fromi/ 
which she is reading. 

Signed at the lower right. 
Property of a Gentleman. 


GEORGE INNESS, N.A. 
AMERICAN: 1825—1894 


No. 131— LANDSCAPE OL ce 


/ yp ie Canvas: Height, 10 inches; length, 12 inches 


A PICTURE painted in the artist’s earlier period. In the foreground are a pool | 
and meadows. At the left appear a group of green trees and cattle grazing. 4 
Beyond is a wide stretch of flat country with distant hills of blue-gray. The 
sky is composed of gray and white clouds. : 


Signed at the lower left. 
Property of the Estate of the late Dr. M. C. Gouxp. 


EASTMAN J OHNSON, N.A. 
American: 1824—1906 


No. 182— IN GENTLE SLUMBER 
uf y pin Height, 934, inches; length, 113, inches 


A cHILD with lie curling locks is lying asleep in her small bal her head ee 
cushioned among ample pillows. 


Signed at the lower left, E. youre 18, 
Property of the Estate of Mrs. T. Garttarp Tomas. 


ALEXANDER HARRISON, N.A. 
AMERICAN: 1853— 


No, 133— A BREAK IN THE STORM 
3 6) oe Canvas: Height, 9 inches; length, 12 inches (amen 


—— 


A view of the ocean with a schooner scudding along at the hoeisait A break 
in the heavy, black sky discloses a brilliantly illuminated space of clouds. 


Signed at the lower right. 
Property of the Estate of the late Dr. M. C. Gout. 


RALPH ALBERT BLAKELOCK, A.N.A. 
AMERICAN: 184'7— 


No. 134— THE CAMPFIRE 


. = Panel: Height, 9 inches; length, 131, inches : wy, Wee. 
| ao. Boa AES 


An Indian, nude to the waist, seated at the left, with his pony standing Beside 
him. In the center and on the right are tepees, dimly seen in the shadows 


of night. 
Signed at the lower right. 
Property of the Estate of the late Dr. M. C. Govuxp. 


MAX WEYL 
AMERICAN: 1837—1914 


No. 135— | LANDSCAPE 


P=) Canvas: Height, 81% inches; length, 131, inches ea 
ia O [O-- Sint 


An effect of evening. In the foreground a flat plain and a pond; in 
center a group of trees. The sky is of pinkish gray. 


Signed at the lower right. 


Property of the Estate of the late S—enuor Satvapor pE MENDONGA. 


ARTHUR QUARTLEY, N.A. 
AMERICAN: 1839—1886 


No. 136—_ MOONRISE 
Ze \ Height, 81%, inches; length, 13 inches / yy atom 
Be ght, 8Y, & 9 iL | Sippy 
Tue yellow full moon is just above the horizon, in the center of the picture, L— 
and her golden light streaks a dark green sea, placid at the evening hour, | 
along a low-lying rocky coast. In the offing a sailing vessel is listless with 
all canvas up, headed alongshore with port light showing. 


Signed at the lower right, QuarTLEY. 
Property of the E. A. Bicetow Estate. 


M. LORING 
AMERICAN 
No. 1387— A SLOOP AT LOW TIDE 
Lf bes gon Water color: Height, 131% inches ; width, 91, inches Py 


—— 


a 


Ar the side of a pier, at the left of the picture, a sailing vessel js seen with — 
the greater part of its hull above the water. The lower part of the hull shows — 
a green color, as if resulting from the action of the sea water on copper sheath- 
ing. The upper part is painted black. The farther end of an adjoining pier — 
appears at the right and a line of hills in the distance encloses a wide expanse 
of sea. 


| Sjgned_at the lower left. 
From the Henry G. Marquand Sale, 1903.~ H/3 — ps od: On 5 a Vi dlird 


Property of a Private Collector. 


LOUIS COMFORT TIFFANY, N.A. 
AMERICAN: 1848— it, 


No. 188— SONS OF THE DESERT ar hrten be 


Height, 914, inches; length, 141/, inches 
On a flat reddish-sandy plain, with a struggling tree or two visible in the _ 
distance, are a number of Arabs in white burnouses or dark purplish gar- 
ments. In front of a straw tepee-like shelter a merchant has arranged some 


colorful wares, and one man standing and another bending over are examining 


them. 
Signed at the lower left, Lovis C. Tirrany. 


Property of the E. A. Bicerow Estate. 


GEORGE H. BOGERT, A.N.A. 
AMERICAN: 1864— 


No. 139— LANDSCAPE 
Canvas: Height, 10 inches; length, 13 ches 


trees, cottages, and a haystack in the center of the middle distance; a cart on 
the road going to the village. Overhead is a blue sky with some gray clouds. 


Signed at the lower right, and dated Serr. 15, 791. 


Property of the Estate of the late Dr. M. C. Goutp. 


ARTHUR QUARTLEY, N.A. 
American: 1839—1886 


‘No. 140— MARINE 


3 M4, et Canvas: Height, 14 inches; width, 10 eee 
A scHooner and a tugboat at sea; night sky with thetu ad ell up ee 
the horizon. / 


Signed at the lower left, and dated ’ 
Property of the Estate of the late Dr. M. C. Goutp. 


EASTMAN JOHNSON, N.A. 
AMERICAN: 1824—1906 


eNo. 141— THE TRYSTING PLACE 
Canvas: Height, 14 inches; width, 11%, inches() 


A FULL-LENGTH figure of a young girl in costume of early se of the 
nineteenth century, with pannier skirt and bodice of lilac, underskirt of figured 
stuff, and white apron, holding a billet doux in her right hand and looking out 
towards the spectator from under a fan held up in her left hand. The setting 
for the figure consists of summer verdure and a lake in the middle distance. 


Signed at the lower right, and dated 1874. 


Property of the Estate of the late Dr. M. C. Goutp. 


PAUL DOUGHERTY, N.A. 
American: 1877— 7 


No. 142— LANDSCAPE | 
/ See . Canvas: Height, 11 inches Gee. 14 snohes 


In the foreground are meadows, with a group of trees in the center. — 
sky of luminous quality, with gray clouds at the horizon. ae 


Signed at the lo 
Property of the Estate of the late Dr. M. C. Gout. ae 


BENJAMIN EGGLESTON ie 
AMERICAN: 1867— ; 
No. 143— AT THE RIVERSIDE ~ 
5 AF Canvas: Height, 12 inches; len th, 151, mches/ 


A FULL-LENGTH nude figure, in back view, 6f@ young woman wii H auh urn Caer 
seated on white drapery, on the bank of a river, supporting herself, as she lea ; 

_ by her right arm. Background of foliage, with a glimpse of landscape a 
the left. an 


sed tere ae ¢: 
Signed at the lower left. — 


wit . . 


Property of the Estate. of the late Dr. M. C. Govuxp. 


M. F. H. pE HAAS, N.A. 
AMERICAN: 1832—1895 


No. 144— LOW TIDE AT FLYING POINT 
3 4 Canvas: Height, 121% inches; length, 191, inches 


A view of sea and shore comprising a sandy beach, in the foreground, oR a 


point with white rocks jutting out toward the left Sev iers the whgle 


under a sky of bluish gray. 

Label on back of stretcher with inscription: “We her certify that this is one of a 
number of pictures painted by the late M. F. H. de Haas,w.A., but left unsigned by him 
by reason of his sudden death. This picture is sold by order of the Surrogate’s Court of 
the City and County of New York, filed December 18, 1895.” 


(Signed) Alice Preble Tucker de Haas, M. F. H. de Haas, Jr., 
Temporary administrators of the Estate of M. F. H. de Haas, dec’d. 


Property of the Estate of the late Dr. M. C. Goutp. 


LUDWIG KNAUS 
GERMAN: 1829—1910 


No. 145— WALKING THROUGH THE FIELDS 
cf y st Panel: Height, 13 inches; width, 1014 inches 
— 


Two men in long black coats, one tall and angulay, Ss 


rotund, walking on a path through fields of ripe grain. The tall man, who is 
apparently less affected by the heat of the day than.his portly companion, is 
holding by the hand a little peasant girl who is passing that way on some 
errand or other. Two little dogs precede the party. 


Signed at the lower right, and dated 1850. 
Property of a Gentleman. 


de a the 


ADOLPH HUMBORG 
German: 1847— 


No. 146— — TESTING THE VINTAGE 


FI ee Panel: Height, 16 inches; width, 12% oper: 


Two monks in the wine cellar of a monastery, one sitting comlaeeneit besi 
a cask and the other drawing a cork from a bottle, the contents of ie 
are doubtless about to taste and pass judgment upon. 


igned an the lower 1 
From the Henry Hilton Sale, 1900. ~#kLES Zp Va oe a pf 


Property of a Private Collector. 


BERNARD CORNELIS KOEK-KOEK 
Dutrcu: 1803—1862 | 


No. 147— LANDSCAPE 


_ Panel: Height, 12% inches; length, 161/, inches | ieee 
J/L0% Aged, hfe 
A view over a diversified country from a foreground showing a road whigh” = 


leads to a village in the middle distance. In the roadway is a man trundlin 
wheelbarrow and accompanied by a woman carrying a hamper on her back. — 
At the right are a tall tree and a house; in the distance a range of hills. The 
sky is blue, with cloud masses of gray and white. 


Signed at the lower right. — 
To be sold to close an Estate. - ; 


JOSEF ISRAELS 
Dutcu: 1824—1911 


No. 148— FISHER FOLK 


Ces Canvas: Height, 16 inches; width, 12 inches 


A sKETCH of a young man, leading a boy by the hand, as they wade through 
the inshore waters of the sea. Ships are indicated in the offing. 


Signed at the lower left. 
Property of the Estate of the late Dr. M. C. Govutp. 


GEORGE MORLAND 
EneuisoH: 176383—1804 


No. 149— GYPSIES 
Panel: Height, 13 inches; length, 171 inches 
[ Vy 


Gypsies in a wood beside their campfire. A mother, in red dress and 
a white kerchief on her head, is seated in the middle of the group. At her (feet, 
on the right, is a child with a dog. Nearby is the sturdy figure of a man, 
standing, and on the right, leaning against a tree trunk, is another of the band. 
This work is marked by broad handling and effective execution. 


Property of the Estate of the late Senuor Sarvanor pe MENnon¢a. 


MARIE ANNA ANGELICA KAUFFMANN 
Swiss: 1741—1807 


No. 150— THE BATHERS 
uL 7 aa Canvas: Height, 101% inches; length, 134 inches [) 


A croup of four nude, female figures reclining on the banks of a pool. 
setting is composed of trees with a landscape view in the distance. 


Signed at the left center, and dated 17-6 (1736 or 1796) 


Property of the Estate of the late S—ENuor Satvapor DE MENDONGA. 


JEAN BAPTISTE GREUZE 
(ATTRIBUTED TO) 
Frencu: 1725—1805 


No. 151— SAYING GRACE 
ae es} Height, 18 inches; width, 15 inches YL, /) 
iY C ré —— i?) & A WY Oat: A] 


A youne mother, in white dress and cap, seated beside a table whereon are / 
dishes and flagons, while two small children, kneeling on her left, hold their “a 
hands together in the reverent attitude of saying grace. 


Property of the Estate of the late Senuor Satvapor DE MENDONGA. 


JEAN HONORE FRAGONARD 
Frencu: 1732—1806 


No. 152— LE SOMMEIDCY y on 


4 ste Canvas: Height, 151 inches; length, 1714 inches 


Turee cherubs asleep on a couch while a fourth, flying away at the upper — i 
right of the composition, drags away with him the white bed covering. In 


the night sky in the background is a gleaming star. 
Signed at the lower left. 


Property of the Estate of the late SeNHor Satvapor DE MENDONGA. 


JEAN ANTOINE WATTEAU 
Frencu: 1684—1721 


No. 153— VENUS AND MARS . 
(Copy of Rubens) 


gf L go Canvas: Height, 191 inches; width, 14.i 


A croup of two figures, from a composition by Peter Paul Rubens, showing 
Venus as a nude figure of blond type and Mars as a soldier in cuirass and 
helmet. Two Loves figure in the composition, one clinging to the figure of 
Venus, the other overhead. On the left is the trunk of a tree and, in the upper 
left, part of the figure of a woman, stretching out her Hens in appeal as 
if opposed to the departure of Venus with Mars. 

Written in ink on the back of the stretcher is a statement in French, of 
which the following is a translation: 

“This study, after Rubens, the original of which is in the Museum at 
Munich, is by Watteau, who devoted much study to the great Flemish master, 
especially during his sojourn with Audran, decorator and keeper at the Palace 
of the Luxembourg (Medicis), the apartments of which were filled with Ru- — 
bens’s pictures, and this one probably belonged among them. The handling, the 
drawing, the color and the use of rich oil as a medium (Count de Caylus), 
and the vermilion-tinged extremities of the personages, all point to Watteau. 
M. Edmond de Goncourt, to whom I made known my discovery, is absolutely 
of my opinion and has authorized me to join it with my own. 

St. Germain, 15 September, 1880.” 


(Signed) F. Bonvin, painter, author of L’Ecole des Fréres, Salon of 1874 


Property of the Estate of the late SeNuHor Satvapor pe Menponca. 


AELBERT CUYP 
(ATTRIBUTED TO) 
Dutcu: 1620—1691 


No. 154— ADMIRAL TROMP 


W hs Height, 16 inches; width, 15 inches IY B ee een 


THREE-QUARTER-LENGTH portrait of the admiral in ufform, standing with 
left hand resting on the muzzle of a cannon. In the background a battle is 
in progress between ships of the line. 


, 
yt 
4 
q af 
a. 
ag 
ae 
An 
z 
‘ 


we. 


4 VEN 
‘ae 


Painted in 1652, 


ie 


Property of the Estate of the late SenuHor Satvapor pE MENDONCA. 


JACOB JORDAENS 
Dutcu: 1593—1678 


No. 155— | SAINTE MARIE 


| Panel: Height, 16 inches; width, 15 inches 74 
4 8 ge es , 
bs OF oa [Vn wrws 


AINTE Marte seated, with the Child standing on her lap. Both Mother and 
Child are of the blond, auburn-haired Flemish type. The color scheme includes 
reds and blues, in the costume and draperies. 


Property of the Estate of the late SeNuor Satvapor pE MENDONCA. 


PERUGINO (PIETRO VANNUCCI) 
Travian: 1446—1523 


No. 156— SAINT CATHERINE 
Panel: Height, 171, inches; width, 121% inches 
25) are 
ae ann. ove 


A nearty half-length picture of the Saint as a young woman, in costume of 
red, and her light auburn hair falling in curls upon her shoulders. With her 
left hand she holds a palm against her breast. Halo around the head; dark- 


colored background. 


Signed at the upper left-hand corner, Pierro Vannvcct, and dated 1486. 


Property of the Estate of the late Senuor Satvapor pE MENDON¢A. 


LUCAS CRANACH 
GERMAN: 1472—1553 


No. 157— THE WOMAN TAKEN IN ADULTERY 
Panel: Height, 131% inches; length, 20 inches ape pp, 


uf 5 VV eek t6 
In the center of a composition of eleven three-quarter-length figures Christ 


is depicted as pronouncing the words given in the inscription in German at 
the top of the picture, while the woman, her hands bound together with a cord, — 
leans towards him from the right. Between their heads appears the face 
of an obese gentleman who is, apparently, the leader of the accusers. Among 

the other personages are citizens and soldiers in costumes of the sixteenth — 
century. 


Property of the Estate of the late S—Nuor Satvapor DE MENDONCA. 


BRUCE CRANE, N.A. 
AMERICAN: 1857— 


No. 158— AUTUMN 


Mt a 
A wate autumn effect showing fields and_ hills ae with tawny brown ih Bs. 
herbage. In the foreground some sticks of wood lie scattered about where AS 
a tree has been cut down. The sky is a luminous expanse of pale warm blue == 
with a few clouds, the whole filled with the hazy atmosphere of November. 


Canvas: Height, 12 inches; length, 16 inches ty Ge 


Signed at the lower right. 
Property of the Estate of the late Dr. M. C. Gouxp. 


ROBERT WARD VAN BOSKERCK, N.A. 
AMERICAN: 1855— 


No. 159— LANDSCAPE 


Bey, Geos Canvas: Height, 13 inches; ee inches v7, y +f y, 


A strEAm in the foreground, flowing between Banks clothegwith shrubbery; 
groups of trees in summer green on either side; a brown Parvest field in the 
center-middle distance; sky of white and gray clouds. 


Signed at the lower right. 
Property of the Estate of the late Dr. M. C. Goup. | 


_ JAMES McDOUGAL HART, N.A. 
BMCERIOAN 3 1828—1901 


COW DRINKING 


Height, 12 inches; length, 16 inches ‘ ff / eg iys 


RE] Rid Betta: cow stands Eciwart the A ae headed toward the right. 
; come to a trough where a wooden conduit brings the blue rill from 
ois spring, and | looks up at a pause in her drinking. 


ert - oe Signed at the lower left, James M. Harr, 1880. 
) the E. A. Bicetow Estate. - 


M. F. H. De HAAS, N.A. 
AMERICAN: 1832—1895 


| - : p 3 161— MARINE 


ay Bere “Height, 12 inches; length, 18 inches ¥' Va ? | ee 


GRAYISH cliffs or sand an their tops grass-covered, but treeless, extend 

- i _ from the right out into a restless sea, under a cloudy sky. A “ener eae 

eae vessel is lying to in the middle distance, and in the foreground a fisherman’s 

 single-sticker is bobbing idly in the wash of the wavelets while its occupant 
busies himself with something inboard. _ 


Signed at the lower right, M. F. H. De Haas, 1883. 


Property of the E. A. Bicrtow Estate. 


ee Tee a 
. 


ALBERT BIERSTADT, N.A. 
: AMERICAN: 18380—1902 


No. 162— THE ROCKY MOUNTAINS 
Height, 12 inches; length, spe pee 
J ¢ a 1¥i- a fl Lx (Og 


In the foreground, on the left, the low, yellowi “green, grassy shore of a lake 
is, dotted with the red tops of field flowers, ag over the cool blue lake which 
fills the rest of the foreground water fowl are in flight, or resting on the 
water. The farther shore is one of brown foothills, above which rise the | 
massive, jagged peaks of rugged mountains. i 


Signed at the lower left, A. Bierstapt. 


Property of the Estate of Mrs. T. Garttarp THomas. 


FREDERICK W. KOST, N.A. 
AmeERIcAN: 1861— 


No. 163— LANDSCAPE a 
Height, 12 inches; length, 20 i 4. Ba 
jose Tn to - Vasa 
In a hae restful country, in aspect Dutch, a sluggish teed des am 
flat green fields which lie to right and left of it, as it extends from the right ai 
foreground back to the central distance, its gray and tranquil surface mirror- 


ing some green pollards that stand near a group of farm buildings on the 
right. On the left, yellow haystacks rise at either side of a stable, and over == 
the low-toned, moist green fields is the soft light of a gray day. | | 


~~ 


Signed at the lower left, Frev. W. Kost. ; i: 


Property of the Estate of Mrs, T. Gamtarp THomas. 


DAVID JOHNSON, N.A. 
AMERICAN: 1827—1908 


No. 164— STUDY FROM NATURE, NEAR THE POWDER HOUSE 


. Canvas: Height, 131, inches; length, 21 inches ; 
a (— Qn . eee \ Keg hate 
4 4 


A picture of great shelving rocks with a sandy pathway leading through 
On the left are grass-covered rocks and trees. Overhead is a blue sky. 


Signed at the lower right with monogram, D.J., and dated 1868. : 
Property of the Estate of the late Dr. M. C. Gout. | 


JAMES CRAWFORD THOM 
AMERICAN: 1835—1898 


No. 165— FEEDING THE CHICKENS 


/ . 3 . Facile Water color: Height, 1314. inches; length, 2034 inches ¥ ae) ae Tre Pot 


In the yard of a farmhouse an old bucket well is seen on the left with fruit 
trees beyond it and blue churn in front of it, and on the right a high wooden 
stair leads to the house. On the small balcony at its top a little girl leans 
over the rail, looking down at chickens gathered at a feeding dish; another 
girl with an empty bow! in her hands stands on the ground, watching the 
or Signed at the lower right, J. C. Tom. 


Property of the Estate of Mrs. T. Gatttarp THomas, 


EMILE MEYER 


FrencHo: CONTEMPORARY 


No. 166— SELECTING A BOUQUET A 
/ 3 6 ge Panel: Height, 18 inches; width, 14%, inca Re YH [LC ) op A at 


(/ pe thee fi GaGa 
; 
} 


Ix a salon with French gray walls and much gilding a” priest in red 
robes stands at the end of a side table, carefully selecting a goodly hand 
bouquet from a large vase of lilies and roses. 


Signed at the lower left, E. Meyer. 
Property of a Lady. ; 


FRITZ C. ZUBER-BUHLER 
German: 1822—1896 


No. 167— NATALIE — 7s Ob 


3 at . Canvas: Height, 18 inches; width, 15 inches 


Tue head and bust, life size, of a little girl with brown hair. 


Property of a Gentleman. 


WILHELM KRAY 
GERMAN: 1828—1889 


No. 168— THE SMILING PAGE LL Ge 
/ yt Canvas: Height, 161 inches; width, 13 inches 


Heap, on oval canvas, of a lad in doublet of crimson, white rue and cap oe 
crimson with white plume, looking over his left shoulder, face to the ‘pee 
tator, and smiling. 


Property of the Estate of the late S—eNuHor Satvapor DE MENDONGA. 


AUGUSTIN THEODULE RIBOT 
FRENCH: 1823—1897 — 


No. 169— THE SCRIVENER Je YVi4 


ne : Canvas: Height, 16 inches; width, 121% inches 


A sEATED figure, in profile view, of a man with a long black coat and blue Bs 
nightcap, at a table and eneegete in mending the point of a quill pen. The 
setting for the figure is a humble interior with shelves filled with books and 
other evidences of the calling of the occupant, who is probably a school- — 
master as well as a writer of letters and themes.. The color scheme of restrained — 
sober tints foreshadows the strong contrasts in lights and shades that are 
characteristic of a later period of Ribot’s painting. 


xe 
a 


te G 
ve) iy: 


Signed, T.R., at the lower left. 
From the Henry Hilton Sale, 1900. ¥J2 8300.5 0b na 


Property of a Private Collector. 


A. DELECHAUX 


Frencu: ConTEMPORARY 


No. 170— LA JEUNE MERE | 


/ coaee Panel: Height, 1614, inches; width, 121, on OS / 


Aw excellent example of carefully executed, highly ay Y genre enn 
A young mother, with gray skirt and white blouse, is seated with her infant 
held on her lap and bemg nourished. The setting for this domestic picture 
of motherly love is a comfortable bedroom with parquet floor and period 
furniture. On the left, in the background, is the mother’s curtained bed; on 
the right the baby’s cradle. 


ig Signed at the lower left. 
Property of a Gentleman. 


CHARLES EMILE JACQUE 
Frencu: 1813—1894 


No. 171— READY TO START : 


¢ ¢ J . ° ° 
Riser de Height, 151, inches; width, 13 inches Bae y oe: LO AAT 
Yt wht gt 


A wuite donkey, saddled and bridled, standing at the festway of a stable, o] 
built of stone. At the right a hen looks hesitatingly forward before deciding ‘ 
to enter the stable door. An excellent example of Jacque. 


Signed at the lower right-center, and dated 1869. 


Property of the Estate of Lorena L. Barser. 


EDOUARD JEAN HAMMAN. 
Bertcran: 1819—1888 


No. 172— £'THE TERRAC Lee © 


Canvas: Height, 18 inches; width, 15 inches 
8, 26 al 

A croup of four figures, of whom three are women, seated and standing 
a terrace at the head of stone steps at the left of the picture. With his rig 
arm resting against a pillar, at the right, stands a man in costume of red 
the period of Charles IX, who holds up his left hand as he addresses t 
ladies. As the latter are in the dress of the Second Empire it is presumabl 
that the man is in costume for some ceremony or spectacle. The face of t 
lady who is sitting on the etek bears a resemblance to the Empress Bugés 


Signed at the lower right, and dated 1854, 


Property of the Estate of the late SENHorR SALVADOR DE Menpon¢a. 


FRANCISCO PERALTA 
SPANIsH: (?) —1896 


No. 173— THE PROPOSAL 7 (~ ie 


y: ( on Panel: Height, 1914 inches; width, 14 inches 
; 


——— 


A croup of two figures in the most elegant costumes of the Court of Henri — 
Deux in the sumptuous surroundings of an apartment hung with rich, vari- __ 
colored draperies. A lady with dress of ivory white, figured with gold and __ 
with gold embroidery is seated in an armchair facing a gentleman in costume  __ 
of light blue and pink with cape of wine-colored velvet who is in the act of 
reaching out his hand to draw away a fan that the lady holds before her face 
to conceal her blushes. <A brilliant example of the Spanish-Roman school of 
genre painting. , 

Signed at the lower left. 


From the Henry Hilton Sale, 1900.37 $50, SO Muiths 


Property of «a Private Collector. 


M. G. WYWIORSKY 
Pouisu: 1861— 


; Panel: Height, 21 inches; width, 12 inches 

( 

| In a sled, filled with straw and drawn by a dark chestnut horse, sits a man 
a who has stopped in his drive across the snow-covered country and is looking 
intently towards the left of the picture. His four hunting dogs are seen stand- 
ing close together beside the sled. The effect of a cold winter day is well 


rendered. 
Signed at the lower right. 
Property of a Lady. 


ALEXANDRE GABRIEL DECAMPS 
Frencu: 1803—1861 


No. 175— — CHINESE DANCING GIRL 
Panel: Height, 22 inches; width, 131 wae @ 


it 


A younc woman in rich vestments, her right hand ms to/her Adee and the 
left hand holding a feather fan, standing in repose. Behind her, on the left 
is a young man with a long-stemmed opium pipe. A rich color harmony. 


Signed at the lower right. 


Property of the Estate of the late Sennor Satvapor pe MENvdONGA. 


TONY OFFERMANS 
Dutcu: 1845—1911 


scythe on his shoulder and a basket cage, in which is a chicken, on his arm, 
is depicted walking over sand dunes. ‘The figure, approaching the spectator, 
is well drawn and the sky of clear gray is notably effective. 

Signed at the lower right. 
Property of a New York Collector. 


We ee 
No. 174— A WINTER DAY /YWUWwM) GU paw“ Ne 


4} 
lakes | 
U 


No. 176— GOING HOME 
/ y ext Canvas: Height, 234, inches; width, 17 inches lay wa Wray é 2 ei 
A prasant with blue jacket and wide-brimmed hat, carrying an old-fashioned // 
VY 


= Tate, 
jae 
4 7 


a is 4 Canvas: Height, 24 inches; width, 18 inches 


JOSE ibe 


Sone 1843— (oF e / 6 Pig 


No. 177— PORTRAIT OF JUANITO NORIKCe 


ProrFite head and Houten of a black-haired lad with a wine-colored j de 
and white collar. ve 


Painted on the back of the canvas is an inscription stating that the cute is a p : 
of Juanito Domingo and giving his relationship to the artist. 


Bromerey of the Estate of the late Sentor SALVADOR DE MeEnpoN¢A. 


CHARLES VERLAT 
ANTWERP: 1824— 


No. 178— LES INTIMES — 2. 
ches 


Panel: Height, 18 inches; length, 22 in 
_—— | = 
Two dogs disputing for possession of a blue velvet bonnet with long ribbons __ 
which they have dragged from a chair that is seen overturned on the ios AD 
lady’s gloves are lying beside it. 7 
Signed at the lower right, and dated 1866. 


On the back of the panel is a declaration, in French, by the painter, stating that he — 
painted the picture, Les Intimes, representing a dog of the Havana breed, and another, a __ 
black and tan terrier, pulling and destroying a chapeau. (Signature, Cartes VERLAT, Pac saw 
8 May, 1866.) é : a 


Property of a Lady. 


FRANK DE HAVEN 
American: 1856— 


No. 179— AUTUMN LANDSCAPYY YU ¥. 


ry? Canvas: Height, 16 inches; length, 20 inches 


AN open space of greensward in the foreground with two small figures 1 near a 
footpath. Trees in autumn foliage, on both right and left, frame in a sky of 

white and gray clouds with small spaces of blue. The picture presents an — 
effect of sunlight. 
Signed at the lower left, and dated 1892. 


Property of the Estate of the late Dr. M. C. Gouxp. 


KENYON COX, N.A. 
American: 1856— 


No. 180— VENICE 


/ ig EV Canvas: Height, 20 inches; width, 16 inches 
— 


ear 4 
Bust picture of a young woman with auburn hair, in whife, AEE 
robe and crimson collarette, pearl necklace and tiara with pearls. The woyk 
possesses stateliness of general aspect. 

Signed at right, K. C., and dated 1898. 


Signed also, on back of canvas, Kenyon Cox, with inscription: “Study for head of central 
_ figure in decorative painting entitled Venice, Walker Art Gallery, Bowdoin College, Bruns- 
wick, Maine.” 


Property of the Estate of the late Dr. M. C. Goutp. 


RALPH ALBERT BLAKELOCK, A.N.A. 
AMERICAN: 1847— 


No. 181— THE CHINESE JUNK 
/ 5, f ve Canvas: Height, 21 inches; width, 17% sae 


A picture of a Chinese junk on a calm sea. Above a low horizon the sun 
is seen setting amid clouds of gray and crimson. The upper portion of the sky 
is gradated from blue-gray to dark blue at the top of the canvas. 

Signed at the lower right, and dated 1876. 


Property of the Estate of the late Dr. M. C. Gout. 


CHARLES WARREN EATON 


AMERICAN: 1857— 


No. 182— OCTOBER, NEAR MONTCLAIR 
jy) / Sa Canvas: Height, 18 inches; length, 24 inches vA 


Tue foreground shows a field with herbage dried and brown, and trees ie 
right, and in the middle distance are trees on the left and a fores / seen 
beyond. Dark masses of clouds are in the upper portion of an evening sky 
of blue-gray. 


; Signed at the lower right. 
Property of the Estate of the late Dr. M. C. Govt. 


UA Ae So ae 


A 


be Aon as 
i LYN L)A LA oy: (thn. ee a Lhe 


a Oe Ss SR gee De ee ay ne a ae ee 
. 4 - sree b> ie! omg, ee fe re 
ee DT ae tn eh gh | Oe ek 


: wea a < 
® ae 7. Se PR ee 


GEORGE H. BOGERT, A.N.A. 
AMERICAN: 1864— 


No. 183— NIGHT IN THE VILLAGE 


Panel: Height, 19 inches; length, 24 inches 
ra ; 7 
eR y fv. 
A CARREFOUR, or irregular square, in an English Village 


enclosing it. A man is seen riding a horse across the square and the shor 
dow of a little shop, in the center of the composition, is aglow with 
Over all is a night sky of gray with a glint of light on the clouds 


unseen moon. oy 
Signed at the lower right, and C 
Property of a Lady. eat 


ARTHUR PARTON, N.A. 
American: 1842—1914 _ 


No 184— : THE POND Hepae iS Ne 
/ a, j ae Canvas: Height, 16 inches; length, 22 inches 
In the foreground are the quiet waters of a pond, reflecting the green ae 
clump of willows, on the right, where a punt is seen, with two figures. 


cottage in the middle distance, near the center, and a eray sky 


the picture. : 
Signed at the lower re 
Property of the Estate of the late Dr. M. C. Govtp.. . | 


CARLETON WIGGINS, N.A. 
AMERICAN: 1848— 


No. 185— CATTLE IN PASTUR 
Canvas: Height, 17 inches; length, 20 inches 


» 


Jxatm— 

JO r 
Meapow lands with a stream on the right; a white cow standing in the fore- 
ground and a black one lying down just behind her; other cows grazinis S ‘ge ee 


farther away. Sky of gray clouds. 


Signed at the lower Toft. 
Property of the Estate of the late Dr. M. C. Govuxp. 


BRUCE CRANE, N.A. 


AMERICAN: 1857— “ o 
Lert | S, Sh Cth ec 


No. 186— THE VILLAGE BY THE RIVER Ps 
; Canvas: Height, 18 inches; length, 24 inches V 
ee 


LANDSCAPE with a French subject. The foreground is occupied by the 
smooth waters of a river, with a green bank at the left, and on the opposite 
shore are houses with white walls and red-tiled roofs and a church of me- 
dieval architecture. The sky overhead of pale blue, with a few white clouds, 


is reflected in lower values in the river. 
Signed at the lower left. 


Property of the Estate of the late Dr. M. C. Govtn. 


H. M. KITCHELL 


AMERICAN: CONTEMPORARY 
Vey: 
lp \e a ae / 
wnenenie [ ~/ ff » Z 
No. 187 EVENING GLOW lO F- UL 
3 os, te a Canvas: Height, 18 inches; length, 24 inches 5 
eee 


Tue edge of a forest, with trees on the right reaching to the top of the 
canvas. On the left a sky of orange tints with small, dark clouds in the 


upper portion. 
Signed at the lower right. 


Property of the Estate of the late Dr. M. C. Govutp. 


ALBERT LYNCH 
Peruvian: 1851— 


FreENcH CONTEMPORARY SCHOOL 


No. 188— YOUNG Woman / at 
{/ if 


j ge Height, 2514 inches; width, 20 inches 


A HALF-LENGTH, life-size picture of a young woman with face to the spec- 
tator and head slightly inclined to the left. Her dress consists of a scarlet 
lace-trimmed wrapper and boudoir cap of white with red and white striped 
ribbon and a yellow rose is fastened-to her clothing on her breast. 


Signed at the left. 


A 


2 ab Ane 


Property of a Lady. 


JUSTUS SUSTERMANS 
| FLEeMIsH: 159 ea 
VV IZ 


No. 189— PORTRAIT OF A YOUNG pelts 
Ds Canvas: Height, 241, inches; width, 191% inches 
SoBe 


Bust portrait of a young gentleman in a coat of brown and black; wide a. a 
collar edged with ge and, across the chest, a silver chain with pe 
emblem. 


Property of the Estate of the late S—eNuor Satvapor pe MEenpon¢a. 


GEORGES MICHEL 
Frencu: 1768—1843 


No. 190— LANDSCAPE WITH CATTLE AND GOATS 


/ / j EOEN Canvas: Height, 211% inches; cae 251, anches 


A DUN-COLORED cow stands in a stream, fo) upies the foreground, hile 

goats are browsing on the banks at the right. On the left bank is af/group 
of trees. The middle distance shows rising ground, with cattle grazing on = af 
the hilltops, their forms in silhouette against the warmly-tinted gray sky. 


Seal on the back of stretcher. 


Property of the Estate of the late Sennor Satvapor pE Mrennonca. 


JAMES STARK 
EneutsH: 1794—1859 


No. 191— VIEW OF NORFOLK 


a Sot ‘Canvas: Height, 24 inches; length, 26%, Vis 
A view of the town of Norfolk, seen from the river CO « fills Co fore- : 


ground of the picture. On the right bank are buildings and a square white 
tower, and shipping. In the center of the composition is an arched stone 
bridge. The sky is filled with gray and white clouds with heavy masses in 
the lower portion. 


Property of the Estate of the late Sennor Satvapor p—E Menponca. 


aw 


4 4, fae Canvas: Height, 26 inches; width, 20 inches 


F. PILLE 


FRenNcH: CFNTEMPORARY 


No. 192— COUP DE MISTRAL, ESTEREL, CANNES 


a Canvas: Height, 2114 inches; length, 29 Heel (4 ts f 


A MARINE showing the blue-green waters of the Mediterranean whipped into 
white-caps by the mistral, or north-west wind, and crashing in breakers and 
surf on the foreground shore. The opposite shore of the gulf is seen in the 
right-middle distance, where a headland projects, formed of mountainous 
hillocks, illumined with tints of violet by the late afternoon sun. Above is a 
sky of tempered blue with lilac-tinted clouds in the lower portion. The gen- 
eral effect is strikingly veracious. 

| Signed at the lower right. 
Property of a Private Collector. 


PETRUS VAN SCHENDEL 
Dutcu: 1806—1870 


No. 193— TESTING THE EGG 


A scENE at night in the market-place of a town in the Netherlands. A house- 
wife, with her basket, is holding up an egg before a candle, to judge of its 
freshness, while the market-woman and a young man are critically observing 
the test. In the background are other market booths, a tree and, in the 


distance, the buildings of the city. 
Signed at the lower right. 


Property of a Gentleman. 


é 
; 
j 
7 


J 
v 


GEORGE BARRETT 
Enewiso: 1728—1784 


No. 194— THE FOREST PARK 


Canvas: Height, 25 inches iene ra achaes 
see 
eat (eA A 


a 


Growine in the greensward of an ‘English park are two ae beeches wi 
wide-spreading branches covered with early autumn foliage reaching to 1 
top of the picture. Farther away are other trees and stretches of level a 
turf where, at the left, a flock of sheep is seen grazing in the sunshine. In 
the shadows of the foreground, on the right, are a doe and fawn; on the deft ay 
a stag. % 


Property of a Private Collector. 


WILLIAM BRADFORD, A.N.A. 
AmeERICAN: 1830—1892 


No. 195— ~ IN NORTHERN SEAS 


ae Height, 20 inches; length, 30 inghes 
Ca : we BE 


THE sea, comparatively smooth, occupies the foreground, hile 3 in the ‘middle 
distance is a great iceberg illumined by a gleam of sunlight. In the left- 
center of the picture is a two-masted fishing vessel, moving slowly along before 
a light wind, and a boat load of sailors busy with the work of the catch, — 
Near the iceberg are two other vessels and in the distance, at the left, appear 
the sails of the rest of the fleet. On the right is a headland, with snow lying —_ 
in the ravines, on which are seen the buildings of a government station. The 
sky is filled with clouds and the picture is made effective by the late after- 
noon sun lighting up the middle part of the composition. 


Signed at the lower right. 
Property of a Lady. 


J 
i 


Ay 


J. G BROWN, N.A. 
AmeERIcAan: 1831—1913 


No. 196— AT THE BROOK 
Height, 30 inches; width, 20 inches 


A BUXOM woman is ated: nude, on white drapery at a brookside, one foot 
dipped in the shallow water. She is turned to the left, three-quarters front, 
and the sunlight falls full upon her from the left. 


; Signed at the lower right, J. G. Brown, N.A. 
Property of a Lady. 


HENRY P. SMITH 
American: 1854—1907 


No. 197— | MARINE 
at RA e 2 Canvas: Height, 18 inches; length, 28 ror 


A view of the sea off the coast which is seen on the right, in the. middle 
distance, showing a hill with houses at its foot and two piers jutting out 
into the water. Fishing boats, in the left foreground, pitching on the 
waves; clouded sky with spaces of blue. 


Signed at the lower left, and dated 1883. 


Property of the Estate of the late Dr. M. C. Govuxp. 


MAX WEYL 
AmeERIcAN: 1837— 


(7 


No. 198— THE POTOMAC FLATS (ER a eae 


ff U jail Canvas: Height, 24 inches; length, 36 inches x 
A xtanpscaPE with effect of early evening showing, in the foreground, broad 
meadows and pools. On the right, in the middle distance, a group of trees; 


beyond, in the left center, the Potomac river and the farther shore. The 
partly clouded sky shows tints of pink in the lower portion. 


Signed at the lower right. 


Property of the Estate of the late Senuor Satvapvor pe Menponga. 


V 


i 


f 
J, 


Vi”) fh / 
/ 


Fs 


Pe 


YVL-VI- deanna gor 


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g. (hiee Uercerg 6 oe 


2 a ee Height, 3434 inches; width, 281%, inches 


p Voor Rane 


NICOLAS POUSSIN 


Frencu: 15938—1 ie 
No. 199— LANDSCAPE 


Tau trees at the left of the foreground rise dark against the sun, hou 
light comes from the left beyond them and illumines in the middle distance 
and background some rolling pastures and high hills. Two people are walking 
across the fields toward a group of buildings. Near the foreground is a stream 
and a man ashore is raising a net. : eo 


Property of the Estate of Mrs. T. Gatrtarp THomas. 


ALBERT BIERSTADT, N.A. 
AMERICAN: 1830—1902 


No. 200— GIANT TREES OF CALIFORNIA 


3 a ce . Canvas: Height, 28 wan. width, 19 Cipaleser _ 
A croup of the Giant Trees of California. righ trunks rea up to the toy 


of the canvas where there are some of the lower pranehest ie in the back- 
ground are pine trees, which afford a measure for comparison with the great 
trees that form the subject of the picture. In the upper part of the canvasa 


dark blue sky appears. ae 
Signed at the lower right. 
Property of the Estate of the late Dr. M. C. Gourp. . 


RALPH ALBERT BLAKELOCK, A.N.A. 
AMERICAN: 1847— 


} f) ae 
No. 201 LAanpscaPBUL Ly OnLy 


Canvas: Height, 20 inches; length, 34 inches 


A poot, amid rocks, in the foreground; trees on the right, and in the middle 
distance, on the left. At the left, from a vantage point on a rock, an Indian 
is seen shooting, with bow and arrow, a deer at the brink of the pool. The 
entire canvas is painted in warm browns, yellows and rich brown greens. 


Signed at the lower right. 
Property of the Estate of the late Dr. M. C. Goutp. 


GEORGE HERBERT McCORD, A.N.A. \ 
AMERICAN: 1840-—1909_ 


> + 
+ 


int in \ the PAections from the blue sky. 


~ 


— 


Signed at the lower left, and dated Sorrento, 1907. 


W. HAMILTON GIBSON 
AmERICAN: 1850—1896 


STILL LIFE—FLOWERS 


een edie: Height, 30 inches; width, 2114 inches “4 (3 a 
oe. Vip. ae. ae 


7 a 
a Piierical erystal vase which takes a variety of hues from an Oriental 
_ rug on which it rests, and which extends up the wall behind it, is a brillant 
bouquet of marguerites and wild roses, and other white flowers. Beside it are 
a smaller crystal vase and a crystal ball. 


‘Signed at the lower right, W. Hamitron Gisson, 1881; copyright, 1888, by W. 
Hamitron Grsson. 


Property of the E. A. Bicerow Estate. 


= 


EDWARD GAY, N.A. 
AMERICAN: 18388— 


/ 


No. 204— EVENIN 


( (7 f— Canvas: Height, 23 inches; length, 30 inches 


A stream with placid waters winds into the middle distance. On the bank at 
the right is a group of trees; on the left, in the middle distance, are trees 
and hills. Above is a rose-tinted sky with crescent moon, which i is rele Ge ; 


in the waters. 
Signed at the lower ie 
Property of the Estate of the late Dr. M. C. Govt. 


MAX WEYL 
American: 1837—1914 
No. 205— A WOODLAND POOL | 
ee Canvas: Height, 33 inches; width, 25 inches (3 
eh ee 


In the center of the composition is a little waterfall, “where stream tumbles 
over rocks and continues its course into the foreground, thé/waters reflecting 
the trunks and foliage of white birches on the bank at the left. Through the — 

trees is a vista of landscape with an early summer sky of pale blue with white mes” 


clouds. ie 
| Signed at the lower right. 
Property of the Estate of Lorena L. Barser. SS 


JOHN SINGLETON COPLEY 
(ATTRIBUTED TO) 
American: 1737—1815 


No. 206— = ‘THE DUKE OF WELLINGTON ; 
ve Canvas: Height, 36 inches; wi 28 inches Y) $A 
Tes eae 


black cloak covering his red coat except for a portion of At showing at the 
neck ; plumed chapeau with gold order, or military badge; t 
profile view, turned to the left. 


A LIFE-s1zE bust portrait of the Duke of Wellington in se uniform, a 


e head, nearly in 


Property of the Estate of the late Senwor Satvapor pE MEenpon¢a. 


PHILIBERT LEON COUTURIER 
Frencu: 1823— 


a 

' 

5 
a 


No. 207— THE POULTRY YARD 


: j ce Canvas: Height, 231%, inches; length, 34 inches 6 WADA 


ee oe aie ode 


Cuicxens and ducks in a poultry yard, some of them feeding from a basin 
| and a trough, others lying down or roosting on the chicken house at the left. 
_ On the right, farther away, is a peasant farmhouse. Above is a blue sky. 


( Signed at the lower left. 
By order of Evxecutors. 


P. LEBRET 
FRENCH 
No. 208— #23 } #£(LANDSCAPE AND SHEEP 
—— 3 Canvas: Height, 29 inches; length, 39 aad A ly a (poe 


[4 
Suzezp and lambs in a pasture field, one of the sheep, with black face and dark, / 
fleece, standing at the left and another with white fleece lying down in t 

middle foreground. 


Signed, on fence, at the left, and dated 1867. 
Property of a Gentleman. 


FRANCOIS ALFRED DELOBBE 
Frencu: 1835— 


No. 209— AT THE SPRING 5 us VV tie AY MIM F , 
uf 7 ——_— Canvas: Height, 451, inches; width, 35 inches (a q 

A uire-sizE figure of a Breton peasant girl, in blue dress with Breton em- 

broidery at the neck, flowered apron and white cap, seated before a stone 

basin, at the left, where her water jar is filling from the jet that flows from 

a pipe leading out from a hillside. Overhead is green foliage. 


Signed at the lower right. 
By order of Executors. 


No. 210— | THE LAKE 


1615—1673 
No. 212—._ : THE SHOCK OF BATIUE 
3 Hid Canvas: Height, 32 inches; length SI, inches, oe Ln ie 


in the picture. 


SPLINE rere Fah ied aM +g 3 


A. NORMANN 
Norwecian: 1848— 


fens 


Canvas: Height, gas length, 4li}/, inches 
ride 


are fishermen and pleasure seekers, in boats. The sky is of gray-blue | 
white clouds drifting upward from the snow-capped mountains. | 


Signed at the lower r 
Property of the Estate of Lorena L. Barper. . 


J. N. F. van STORKENBORGH 


GERMAN 


re 


No. 211— LAKE OF DERWENT WATER, CUMBERLAND 
— Canvas: Height, 361, inches; tif 51 inches te / 
AY 


In the right foreground, on the shore of the lake, a party. men, women and 
children are waiting to be ferried to some other landing place, and a man is 
seen in a boat approaching the shore and about to cast the painter, a metal 
chain that he holds in his hand. In the middle portion of the picture there — 
are oaks and rising behind them are high hills. At the upper left is a sky of 


gray clouds. an 
Signed at the lower right. — 
Property of a Gentleman. . ie a 


SALVATOR ROSA . 
(ATTRIBUTED TO) 


Two horsemen, wearing cuirasses of steel, in a hand to ee encounter, while 
a multitude of cavalrymen press forward, from the left, to the support of their 
leader, who is getting the worst of the duel that forms the central incident 


Property of the Estate of the late SsNuor Satvapor pe MENnponga. 


ORIZONTI 
JAN FRANS VAN BLOEMEN (Called ORIZONT]) 


1662—1740 ? 
No. 213— LANDSCAPE 
of pe wily eam 
~ 6 f ee. Height, 38 inches; length, 521, inher 


A tatu castle with battlemented towers and various other buildings are seen 
in a vast mountainous landscape, the castle in the middle distance command- 
ing a pass and the foreground showing a rough, irregular, sheltered valley 
largely in shadow. Here a man is running, a young woman and a partly nude 
man are conversing on a knoll, and other figures are seen, reclining or in 
motion, including in the middle distance a horseman followed by a man on foot. 


On the stretcher is a paster with the following inscription: 


“Original. A large landscape by an old master, Orizonti. Bought for me by Henry K 
Brown in Rome, where Mr. Brown saw it repeatedly and took other painters to see it. 
Coghetti not only pronounced it an unquestionable original, but Orizonti’s best picture. 

“Troy, Noy. 1868, Emma Willard.” 


Property of the Estate of Mrs. T. Garttarp THomas. 


FLEMISH PRIMITIVE SCHOOL 


No. 214— THE HOLY FAMILY AND THE MAGI 
om ae Canvas, mounted on wood panel: Height, 33%, inches; wid a i ga a 


THE Virgin i is seated at the left with the Child on her lap. One; he Wise 
Men, in gold embroidered robe, kneels, in the center, as he pres np a casket 
to the Child. Two other wise men, one a negro, are behind the kneeling figure, 
at the right. Joseph is seen standing, with a staff in his hand, behind the 
Virgin. Architectural background. 


Painted on the back: A figure at prayer. 
Signature, “Man,” at the lower left. 


Property of the Estate of the late SenHor Satvapor p—E Menpong¢a. 


AW 
— A V A . 
“ Ph Fg EP |e 


ALONSO CANO 
SPANISH: 1601—1667 


No. 215— MADONNA 
if Canvas: H tg 43 inches; width 
Cs 


THREE-QUARTER length seated figure: of the Madonna, with the Chita 


inches 


spectator. The Child is depicted nude and the Madoran is -alothels in 
red and blue, with hood ang cape of yellow brown. 1 


Property of the Estate of the late S—nuor Satvapor DE Mennonga. 


FRANCESCO VINEA 
Irauian: 1846— 


No. 216— poe a 


7, oe Canvas: Height, 72 inches; widt reg 


A FULL-LENGTH, life-size figure of a young Italian woman; face in full view 
the spectator and smiling. She is depicted dressed in a frock of blue, fig 
stuff, white apron, and red kerchief on her head, standing, with her 
extended on either side, against a rustic fence. The setting for the figt rey: 
is on a hillside, covered with green plants and vines. In the upper portion of = a 
the picture, at the left, are trees on the crown of the hill, and at the right, By : 
a glimpse of the sky. wie 
Signed at the lower right, and dated 1888. x : 


Property of the Estate of Lorena L. Barner. 


oe Ct Fa gg 


JOSEF DE RIBERA 
Spaniso: 1558—1656 


No. 217— THE MARTYRDOM OF SAINT BARTHOLOMEW 


is Bile a SO Canvas: Height, 60 inches; length, 76 inches Oo | oe: | : 
MVAL 


Tis impressive composition shows the nude figure of Saint Bartholomew, 
nude except for a white cloth about his loins, on the right of the canvas, in 
three-quarter length, life-size, upright with his arms stretched upward by 
ropes bound around his wrists. Cuts, made by the torturer, on his left breast 
have soaked the loin cloth with blood, and the scourger, in red turban, who 
is at his side, at the left of the saint, is making ready to inflict more wounds. 
At the extreme right is a boy carrying the saint’s clothing; at the left are 
soldiers. The figure of the martyr, an elderly man with grizzled beard, his 
head drawn backward in pain, is of a fine golden tone and is modeled with 
breadth and virile handling. The picture as a whole gives evidence on its 
face of being the work of a painter of great ability. 


_ Property of the Estate of the late SenHor Satvapor v—E MENpDOoN¢A. 


THIRD AND LAST EVENING’S SALE 


FRIDAY, MARCH 31, 1916 


AT THE AMERICAN ART GALLERIES 


BEGINNING AT 8 O'CLOCK 


GEORGE HENRY BOUGHTON, N.A., R.A. 
AMERICAN: 1834—1905 


No. 218— AT THE BANKSIDE 


s Charcoal drawing: Height, 11 inches; width, 8, inghes Cc } 


A youne woman of pleasing features and placid, thoughtful Axpression, is 
seated on a bank at the edge of a grove, quietly enjoying ef day of mild 
temperature, hatless and clad in a loose, comfortable gown. She faces the 
left, elbows on knees and one hand raised to her breast. 


Signed at the lower left, G. H. B. 
Property of the Estate of Mrs. T. Gaittarp THomas. 


ALBERT BIERSTADT, N.A. 
AMERICAN: 1830—1902 


No. 219— SUNSET Wg O 43. ‘as Saal 


¥ 
yr? - Height, 914, inches; length, 131%, inches 


Bryonp a round-topped mountain the sun is sinking, turning the sky to gold, 
crimson and purple, and sending still a ray across the green flank to brighten 
a dark river flowing at the mountain’s foot. On the nearer side of the river 
three cows are moving lazily homeward, followed by a farmer. 


Signed at the lower right, A. Briersrapr. 
Property of the E. A. Bicetow Estate. 


GEORGE INNESS, N.A. 
AMERICAN: 1825—1894 


No. 220— | IN THE FIELDS 


a a ae Canvas: Height, 6 ee oe ll inches ) 


A srupy in the early period of the great landscape painter chow’ "aft e// 
care in execution. In the foreground are a field with white masses of blossoms is 
among the herbage and a group of trees, at the right. Beyond is an uncut | 
field of grain and, in the distance, trees 4nd the tower and spire of a white en 

church. The sky is of pale blue-gray with white clouds in the lower ‘patent 3 


La 


Property of the Estate of the late Dr. M. C. Goutp. 


Span! 


FELIX SATURNIN BRISSOT DE WARVILLE _ 
Frencu: 1818—1892 , 


No. 221— - THE SHEEP PASTURE 


3 " on | Water color: Height, 914 inches; length, De 
ue es 
Two sheep, close in the foreground, are nibbling at the green grass of a bank 


that rises abruptly on the right, crowned by a stunted, leafless tree. A third 


gate looking on. 


Property of the Estate of Mrs. T. Ga1ttarp THomas. 


FELIX SATURNIN BRISSOT DE WARVILLE | 
Frencu: 1818—1892 \ a = 


No. 222—  ~—-—-* FEEDING THE SHEEP _+ 2 ae 
2 De Water color: Height, 91% inches; length, ee Cpe] Ce C 
Five gray sheep are at a feed rack against a white and gray and brownish — 
stable wall. The rack is filled with grass in which red clover and field flowers 
mingle, and a herdsman with arms laden is about to drop in more of the succu- 
lent provender. 


Signed at the lower right, F. Brissor. 
Property of the Estate of Mrs. T. Garttarp THomas. 


JOHN CONSTABLE, R.A. 
Eneuisu: 1776—1837 


/) 
No. 223— LANDSCAPE G. pete Mt DATAA 


—ye Water color: Height, 634 inches; length, 834 inches 
Las Ce 


Unver a sky of tumultuous clouds, darkening but still full of light, rolling 
hills along the horizon bound a sunny plain at whose farther end a village 


nestles, its gray church steeple prominent. 
; Signed at the lower left, J. C. 
Property of the Estate of Mrs. T. Garttarp THomas. 


JOSEPH MALLORD WILLIAM TURNER, R.A. 
_Enenisu: 1775—1851 


ND. 224— THE STRAW YARD ~/( 7) 4, me 


7 a Drawing in sepia and crayon: Height, 61% inches; length, 10 inches 


A ¥rarm yard with a thatch-roofed stable and several horses eating from 
bunches of fodder. Some men, at the left, are building a straw stack and, at 
the right, near a gate are two other farm hands, one of them with a wheelbarrow. 
From the collection of the Rev. Sepastian Bownen, S.J. 


Property of a Private Collector. 


EMILIO SANCHEZ-PERRIER 
SpanisH: 1853—1907 


No. 225— LANDSCAPE : 

es , A : : Va YY 

5 sy oa Height, 6 inches; length, 81, inches | Va SF a pe in Zo a 
GrRAYIsH-wuiTeE buildings with brownish-tiled roofs, mounting, it seems, in tiers “ 


U 


one above another, give a rigid, angular skyline against an intense but light 
blue. Below are masses of low-growing trees with close, feathery foliage, in a 
green and brown field where several figures are resting on the grass. 


Signed at the lower left, E. Sancuez Perrier. 


Property of the Estate of Aurrep Henry Lewis, Ese. 


Tid pees 


ALEXANDRE GABRIEL DECAMPS | 
Frencu: 1803—1860 3 


No. 226— AT THE OUTPOST 


Canvas: Height, 9 inches gth, eer 
7A 
/1 0 vy 2 nt ba 


Tue scene shows a building with a hich courtyard wall, at the left, at the foot fy 
of a range of hills. A camel, with its load on its back and ied by its driver, 
is in the foreground, while at the door of the building are.a group of figur Sek 


and another camel. hee 
Signed at the lower ri, 


Property of the Estate of the late Senuor Satvavor pe Mrenponga. 


LEON VICTOR DUPRE 
Frencu: 181 6—1879 


No. 227— _ ON THE RIVERSIDE/~ 
Panel: Height, 9 inches; length, 15 inches 
/fo = 


A LanpscaPE with a stream in the foreground, a white-walled cottage aie ae 
trees on the right and a plain, with trees, on the left. The sky is of blue with ‘< 
white and gray clouds. : 
Signed at the lower right. 


Property of a Gentleman. 


JEAN JACQUES HENNER 
Frencu: 1829—1905 


No. 228— 3 JEUNE FILLE 


Panel: Height, 10%, inches; width, 7 inokde “1 ae a é AHN a ) i . 


A HEAD of a young woman, in full rue to the spectator, with luxuriant blond 
hair falling over her shoulders; low cut bodice of bluish black, background of 
peacock blue. Notably balan in general effect. 

) Signed at the upper left. 
Property of a Lady. 


ROBERT C. MINOR, N.A. 
AMERICAN: 1840—1904 


No. 229— MOONLIGHT 
3 4 e _ Millboard: Height, 6 inches; length, 8% ee (2 


Tue composition shows groups of trees on both sides of the canvas and 
cottage, placed among them, at the left, with light in a window. A lake appear 
in the middle distance. The night sky is filled with clouds with the moon illu- 
mining them in the upper portion. 


Signed at the lower right. 
Property of the Estate of the late Dr. M. C. Govt. 


HOMER D. MARTIN, N.A. 
AMERICAN: 1836—1897 


a 0-~— | THE LAKE 


/ ae Canvas: Height, 6 inches; length, 10 inches Y Ww pi 
3 4 


A view of one of the Great Lakes, with a group of trees on the shore at the 
right. Overhead is an evening sky, with gray clouds at the horizon and cea 
tints above where the sky is gilded by the setting sun. 

Signed at the lower right. 


Property of the Estate of the late Dr. M. C. Goutpn. 


BEN FOSTER, N.A. 


AMERICAN: 1852— 


No. 231— THE CLOSE OF DAY 
Millboard: Height, 9 inches; length, 12 inches 


he ae 
So meme 
A marsuy foreground and a green hillside beyond, with buil 


trees on its summit in silhouette against the evening sky. 
Signed at the lower left. 


qn. BA a ian << 


gs and clumps of 


Property of the Estate of the late Dr. M. C. Gouxp. 


ARTHUR PARTON, N.A. 
AmeERICAN: 1842—1914 


No. 232— AN ORCHARD IN SPRINGTIME 
gth, 16 inches 


Canvas: Height, 11 inches; 
( joe 


of tender blue and gray. 


By order of Executors. 


GEORGE INNESS, N.A. 
AMERICAN: 1825—1894 


No. 233— SUNSET 
Canvas: Height, 12 inches; wi inches 


Tue foreground shows meadows and a pool. the middle distance, at th 
left-center, are a building and tall trees. On‘the right a train is passing wi 
black smoke from the locomotive drifting over it. The sky is composed o 
warm grays, reds and yellows. 


Signed at the lower left. 
Property of the Estate of the late Dr. M. C. Govtp. s 


WINSLOW HOMER, N.A. 
AMERICAN: 1836—1910 


No. 234— THE STAG 


/ mm) o- Water color: Height, 151, inches; csr ae er 
A / 


Heap of a deer, appearing above a clump of bushes which hides his body from 
view. Blue sky background. 

Signed at the left, and dated 89. 
Property of the Estate of the late Dr. M. C. Gout. 


_L—_———-- eS. 


BEN FOSTER, N.A. 
AMERICAN: 1852— 


No. 235— FAGOT CARRIERS | 


Wat lor: Hei ll i i , 16 ¢ 
by ve ater color: Height, inches; length ee (3 ee 
Wn. Zi: ) 


Tue gray and brown roofs of a European hamlet are seen above gray garden 
walls, beyond a flat green field. In a winding road across the field to the village 
a man in sabots and a woman accompanied by a child are bearing on their 


shoulders large bundles of fagots. 
Signed at the lower left, Ben Foster. 
Property of the E. A. Bicetow Estate. 


BRUCE CRANE, N.A. 
AMERICAN: 1857— 


No. 236— THE WESTERN SKY 


3 7 0 ve ~~ | Canvas: Height, 12 inches; length, 16 inches Sa Spee | 
VV MNt20 | 


In the center of the foreground, a pool; on the right, a cottage; at the left a 
clump of bushes; in the distance, a line of hills. Over all is an evening sky with 
clouds orange-tinted by the sun, which has just gone down below the horizon. 


Signed at the lower right. 
Property of the Estate of the late Dr. M. C. Govtpn. 


JOHANNES HENDRIK WEISSENBRUCH 
DutcH: 1824—1903 


No. 237— THE BARN 


F ve Panel: Height, 10% inches; width, 84 inches ; 
é —— pest 


A Brown barn comes into the background from the ri , and in front of it 
rise several tall and graceful trees. In the green, most, grassy foreground 
some black and white cows seek the shade of the tall trees. 


/) // 
on Wyre Wh parrete [ 


VY 


Signed at the lower right, J. H. WetssenBaucn. 


Property of the Estate of Arrrep Henry Lewis, Esa. 


HY yy i YWeievy. 


LOUIS GABRIEL EUGENE ISABEY 
FRENCH: 1804—1886 


No. 238— A CEREMONY 
7 4 * Height, 1014 inches; length, 1334 inches 


Te scene is the interior of a church, with an altar back of whic 1a 
large cross. Here a kingly figure robed in red stands(majestically, hold 
his right hand a sword pointed at the zenith, and with his left extended te 
an object on the altar, as if directing a red-robed man kneeling before 
with arms reaching forward to make a vow. Seated near is a mitred figu: 
and among the large company of men and women in attendance in the bo 
of the building now and then a lance projects and one man has arisen ond h 


vonnden Seemingly the sketch for a larger Sicare 


Signed at the lower right, Isapny. 
Property of the Estate of Mrs. T. Gatrrarp THoMas. an 


FELIX ZIEM 
Frencu: 1821—1911 


No. 239— VENICE 
Height, 104, inches; length, 15 inches 


Ar the left a corner of the Libreria comes into view, with the columns ofthe 
hon and St. Theodore, and the facade of the Ducal Palace. People are s¢gted — 
on the library steps, and robed dignitaries are about to embark in a gondola. 
Beyond it Venetian sailboats are seen in the violet distance, under a pale s 
yellow sunset sky. 7 


Signed at the lower left, Zrem. 


Property of the Estate of Mrs. T. Gaitrarp THomas. 


LUIGI LOIR 
AUSTRIAN: 1825— 


No. 240— THE SIDEWALK MARKET 
fy Z) hs Water color: Height, 11 inches; length, 1614 inches , 


~ 


Wares of many sorts are spread along the sidewalk, at either side of a n 
merchant’s booth, and a characteristic crowd of French passers-by are mowing 
past or stopping to look over the goods. On the right, cannon on a parapet are 
pointed over the scene, and the buildings below are overtopped by a cathedral of 
twin spires. | 

Signed at the lower right, Lom Lvict. 


Property of the Estate of Atrrep Henry Lewis, Esa. 


LUIGI LOIR 
AvsTRIAN: 1825— 


No. 241— CITY STREETS 

Ses Canvas: Height, 12°4 inches; length, 1514 inches | 
(3d YN | G Nek. 
A ryrrcat French carrefour, such as are found near the fortifications of Paris, — 
is depicted, in the autumn, when the sparse trees are all but leafless. (puildings 
are irregular, people are plentiful, and at hand are a couple of city police- 
men. 


Signed at the lower right, Lom Lute. 


Property of the Estate of Arrrep Henry Lewis, Esa. 


PIETER NEEFS 
FLemisuH, circa 1577—circa 1660 


AND 


FRANS FRANCKEN 
Called DON FRANCISCO 


Friemisu: 1581—1642 


No. 242— INTERIOR OF ANTWERP CATHEDRAL 


/ my e 


6 Ant, Panel: Height, 10 inches; length, 12 4nches, 


AN niece view of the Cathedral at Antwerp, Belgium, with figures of 
and gentlemen in seventeenth century costume, and peasants and arti 
Some of the people are kneeling. The architectural forms are carefully dr: 
and correctly rendered. The figures were painted by Francken. — soy 


In the Museum of Brussels there is a picture to which this one , bears a likeness, but i 
of different size and the figures are differently disposed in the composition. 


Property of a Lady. 


PIERRE MIGNARD 
Frencu: 1610—1695 _ 


No. 243— MADONNA 


Canvas: Height, 151% inches; width, 1114 OF: 
SS <—vr 
~~ oy — 


A croup of three figures. The Mother, seated, in lilac-pink and green robe f a 
holds the Child on her lap. The infant St. John, at the left, holds up a bunch v va 

of flowers, which the Child is taking in its hands, looking up, at the same time, o* 
in its Mother’s face. , 


Signed P. Micnarp, and dated at Rome 1—4—. on the base of stone seat at lower KS 
right. 


Property of the Estate of the late Senuor Satvapor pe Menpong¢a. 


JAN GOSSAERT MABUSE 
1470—1541 


No. 244—PORTRAIT OF JOHN MOORE, SON OF 
SIR JOHN MOORE : 


ee ole Panel: Height, 17 inches; width, 12 inches Be 


axe, 
A HALF-LENGTH portrait of a young man whose hair is cut around below his 


ears, dressed in a black cloak with gray sleeves and dark red under-jacket with 
yoke of white mull. The head, with black flat hat is turned in three-quarter 

view to the left and he holds a glove in his right hand. The background is of 

neutral tone. <A very fine work of its period characterized by good drawing 

and sober color. : 


Property of a Lady. 


LUDWIG KNAUS 
GERMAN: 1829—1910 


No. 245— THE POPPIES 


§ ST ve Panel: Height, 141% inches; width, 101% inches 


A THREE-qUARTER length picture of a girl in profile view and head turned_to 
face the spectator. She carries a large bunch of poppies in her right eee 
her straw hat with black ribbons hangs on her left arm. A white apron covers 
her blue dress except where it is seen on her shoulder. The setting for the 
figure is composed of farm fields and a sky of gray. 


Signed at the lower left, and dated 1882. 
Property of a Lady. 


% | Panel: Height, 14 ee oe ee 
U ¢' 


/ 


(ose 


Bose : vn 


JOHN CROME (“OLD cROME”) ae 
Encusn: 1769—1821 


No. 246—- LANDSCAPE NEAR NORTH ELMHAM 


Canvas: Seka 12 en length, We 76. Br 


borders a road passing the cottage. The sky above shows warm ae 
white clouds. | 3) 


A label on the back states that this picture was “painted for the late Mr. St 


Property of a Private Collector. 


J. RONTBOUTS 
Durcu: 1640— | 3 


A DUTCH FARMHOUSE 


— 


On the right, face a road which winds i an picture from < He 
ground, is a house, part brick and part timber, with smoke risiiy f, 
chimney. Before the door are figures and a dog. The ne is of caer 
white clouds. 

Sold in the Hoch Sale, Munich, 1892. 


Property of a Lady. 


JOHANNES HENDRIK WEISSENBRUCH 
DutrcH: 1824—1903 


No. 248— THE DESERTED CANAL 
‘Water color: Height, 10%, inches; aes inches 


A cana crossing the foreground turns forward on the left, nae: a ee of 
low bushy trees, and a gray double-pointed boat lies against the bank at the 


turn. 
Signed at the lower right, J. H. Wrst a 


Property of the Estate of Arrreov Henry Lewis, Ese. 


FRITZ THAULOW 
Norwecian: 1847—1906 


No. 249— WINTER 
a4 FO we Canvas: Height, 181% inches; width, 15 Bot f) 


A FRENCH urban scene with a street leading, on a eerie: scree the middle dis- _- 
tance of the composition. Dwelling houses, sidewalk trees and, on the right, a (/ 
board fence, painted green, ovis effective color notes, the whole forming an 


agreeable ensemble. 
Signed at the lower right. 
Property of a New York Collector. 


LEO HERRMANN 


Frencu: ConTEMPORARY 


No. 250— TAKING HER MEASURE? / ie Vnhinn 


a es | Panel: Height, 18 inches; width, 14%/, inches 


— 


Berore a modest boot shop a lusty young Crispin is measuring the foot of a 
lively maid in pink and blue. The scene attracts the attention of a bewigged 


gentleman passing in a sedan-chair. 
Signed at the lower right, Lro Herrmann, 


Property of a Lady. 


DOMINICUS VAN TOL 
Circa 1631—1676 


Pvc 201— THE PLEDGE 
py ee Panel: Height, 18 inches; width, 16 biordye / 4) 3 


THE mise-en-scene is a wine cellar in which casks, a table a ee with a green _/ 
cloth, pewter flagons, baskets and jugs are among the accessory features. On / 
the left of the picture is a man in hunting costume who has placed his hand 

on the shoulder of a young woman while touching his glass to the one she holds 

in her right hand. On her left arm hangs a copper scuttle. Behind this group 

is a woman drawing wine from a cask, looking up at the same time at two of 
the company in the cellar, and others are seen playing draughts. A woman 
carrying a dish has stopped to look at their game. 7 


Property of a Private Collector. 


DAVID JOHNSON, N.A. 
AMERICAN: 1827—1908 


“ No. 252—LOOKING WEST FROM DOLLAR ISLAND, 


oe 


slopes on the hills above. The sky is filled with gray and white clot 
at the upper left where there is a space of blue. a 

: rao “vy rest 
Signed with monogram, D.J., and ee a 


~ Property of a Gentleman. 


FREDERICK W. KOST, N.A. 


American: 1861— ee 


“3 o 
No. 253— THE RIVER, yy vn. Cape a 


Height, 12 inches; length, 20 inches <s m ae 

Jiro = x 
A PASTORAL stream, its placid surface a darkened silver-gray, enters the victaad fi 
in the left ee tvana and vanishes under a low farm bridge in the middle 
distance, where a figure is observed leaning over the bridge rail. On either — 
side the fields are flat, their verdure is tinged with brownish growths, and here | 
and there a building is seen at the wooded borders of the broad, uneven pastures. _ e 
The day is gray and the subdued light throws softened shadows of a clump of 


green trees on the tranquil water. a. 
Signed at the lower right, F. W. Koes ee 


Property of the Estate of Mrs. T. Garrxrarp Tuomas. 


J. G. BROWN, N.A. 
AMERICAN: 1831—1913 


No. 254— THE APPLE BOY 


ve Canvas: Height, 20 inches; width, inches és /f 


A soy, standing on a New York sidewalk, holding up two apples in his right 
hand to show a prospective purchaser in the upper-windows and with two other 
apples in his left hand. The boy’s head is raised to look upward to the left. 


Signed at the lower left, and dated, 1878. 
_ Property of a Lady. 


JULIAN ONDERDONK 
AMERICAN: 1882— 


No. 255— —, THE EDGE OF THE ae ae vale 2: Sane 
pas L) Saree Canvas: Height, 14 inches; length, 20-tnche : wy (MAA 
A vista of a wooded hillside and a ond, seen beyond the hedae foreground 
p a y g 


where, on the right, the trunk of a large tree and a group of trees, at the left, 
form a framework of foliage. | 


Property of the Estate of the late Dr. M. C. Govutp. 


DENNIS MILLER BUNKER 
AMERICAN: 1861—1890 


No. 256— THE TOWN OF LAMOR 


x Canvas: Height, 14 inches; length, 22 inches ‘ 
A ea oy a fe 


In the foreground is a meadow with a small figure of a woman putting out 
clothes to dry on some bushes. Across the canvas, in the middle distance, are 
the houses of the town, the roofs shining with the light reflected from a gray 
sky. In the right-center rises the tower of the church, which is usually a promi- 


nent object in views of towns in France. 
Signed at the lower left, and dated 1884. 


Property of a Gentleman. 


RALPH ALBERT BLAKELOCK, ANA. 
AMERICAN: 1847— 


No. 257— THE WHITE CAPTIVE 
Canvas: Height, 14 inches; length, 22 inches 


SU we | wy SV 


Tue scene is laid 1 in a forest under a coppery glow of clit 


Sig 
Property of the Estate of the late Dr. M. C. Govt. 


HUGH BOLTON JONES, N.A. 
AMERICAN: 1848— 


No. 258— SPRING 


AOH o: Canvas: Height, WIR eee “(SPE 2 ee 


A BRoox in the middle foreground with Secs covered with new green a 
and shrubbery in the foliage of the month of May. In the middle distance 
trees with branches partly clothed with spring leafage, and beyond at the | 
an atmospheric sky with tints of gray, white and tender blue. 


Property of the Estate of the late Dr. M. C. Gout. 


CARLETON WIGGINS, N.A. 
AMERICAN: 1848— 


No. 259s DOWN BY THE SEA. 
Canvas: Height, 18 inches; length, 22 inl si y, 
= aes Tt : 


A cow with coat of black and white, standing in the shallows in a marshy — 
meadow near the sea, which is seen in the distance. The sky is composed of — 
gray clouds. 

Signed at the lower left. 


Property of a Lady. 


MAX WEYL 
AMERICAN: 1837— 


| Se 


No. 260— SUNSET 


lip ee eg Canvas: Height, 18 inches; length, 24 inches 


A woop.ianp scene with a pool in the left foreground in which a roseate sunset 
sky is reflected. 


Signed at the lower right with inscription: 
“To my dearest friend, Shr. Salva. de 
Mendonga. 
Max Wervyt, 1891.” 


Property of the Estate of the late Senuor Satvapor pe Menvonca. 


FRANK MORTON KNOX REHN, N.A. 
AmeErRIcAN: 1848—1915 


No, 261— MARINE Se Cie: PAG 


Ree 3 Canvas: Height, 16 inches; length, 28 inches 


THe composition shows the wide stretch of the ocean with heaving waters under 
an evening sky, the full moon well up from the horizon and its light illumining 
the surface of the deep. On the horizon, toward the right, two sailing vessels 
are dimly seen. 


Signed at the lower right. 
Property of a New York Collector. 


FRIEDRICH VOLTZ 


German: 1817—1886 Y sales 
ot VA (3 AKL 
No. 262— THE PRIDE OF THE DAIR | 
/ Le Canvas: Height, 131% inches; length, 19%, inches 
4 € 


yal 
V 


A picture showing a fine cow, with coat of reddish brown and patches of white, 
standing in side view. The setting is formed by green meadow and trees. The 
cow is painted in strong sunlight and is depicted with knowledge. At the upper 
left of the composition appears a sky of subdued blue and gray. 


Signed F. V. at the lower right. 


Property of a New York Collector. 


ADRIEN SCHULZ 


GERMAN 
No. 263— THE FAGOT GATHERER i 
a Canvas: Height, 15-inches; length, 211. inches ea > es 
THERE is a group of fine trees in the right-center of the position and a 


road leads from the foreground into the distance. A peasant woman is s 
with a bunch of fagots. The early autumn sky is formed of gray and wl 


clouds with small spaces of blue. . 
Signed at the een ‘righ 
Property of a New York Collector. 2 


JOHN CROME (“OLD CROME”) — 
Enenisu: 1769—1821 


No. 264— LANDSCAPE IN NORFOLK 


9 ae Canvas: Height, 14%, aches: ng ae ie inches ; CG | i s . 


A BRoap winds into the middle riatanee from the right and center foreground. — 
On the left, a cottage with steep, peaked roof and another building beyond. = 
Trees are seen reaching up behind the cottage and at its door are two igure mae: 

The sky is composed of white and gray clouds. a 


Property of the Estate of the late Senuor Satvapor pe Menponca. 


BARTHOLOMEUS VAN DER HELST ; ‘ a 
Durcu: 1613—1670 “as 


No. 265— PORTRAIT OF A LANDOWNER 


( ge width, wi recs 


Busr portrait of a man of the higher bdéurgeois class of the 
with long hair and slight mustache; whit collar, with square ends over black 
coat. 


Canvas: Height, 22%, inchés} 


Property of the Estate of the late Senuor Satvapor DE MEenponc¢a. 


LEON RICHET 
Frencu: 1847—1907 


No. 266— SOLEIL COUCHANT 
Canvas: Height, 131% inches; length ine 
~ eda ght, Vo ’ gth, F 


_A sunset landscape with a lake. occupying the foreground and a tree, on the 
left, bending out over the water. In the middle distance is a belt of forest 
trees, with a gap near the right-center of the picture through which are visible 
at the horizon some crimson clouds. Above is a sky, painted in a high key, 


which is reflected in the waters of the lake. 
Signed at the lower left. 
On back, label Bernheim jeune, Paris. 


Property of a Private Collector. 


JULIEN DUPRE 
Frencuo: 1851—1910 


No. 267— FRENCH PEASANT GIRL 
a Canvas: Height, 2114 inches; ee. US) Caeyeg A fi 
A a Oe age OO 


A WELI-pRAWN, life-size, head in profile view of a young woman in (res bodice 
and white under-bodice, with a kerchief of yellow-brown on her head. ‘The 
subject is depicted in out-of-doors effect, with a background of harvest fields 
and gray sky. 


Signed at the lower right. 


Property of the Estate of the late Senuor Satvapor pe Mennon¢a. 


iz 
” 


PAUL DESIRE TROUILLEBERT 
Frexcu: 1829—1900 — 


No. 268— , LANDSCAPE 
. ate ee er Canvas: Height, 18 inches; length 


ly, inches 


mistaken by expert judges for Cheeta noe it was Trouilicherte pra 
sign his pictures with his own name. On the left of this picture is a g 
tall birches; on the right, a lake. Over all is a sky of white and gray 
Signed at t 


Property of the Estate of the late Senuor Satvavor pe Menponga. 


NARCISSE VIRIGILE DIAZ DE LA PENA 
(ATTRIBUTED TO) 
Frencu: 1807—1876 


No. 269— IN THE FOREST 
Canvas: Height, 16 inches; length, 22 inches Vy 


ae 


In the foreground are trees with the trunks spaced at intervals acr 36 


picture is in shadow. Beyond is a clearing with the woods at the bctheee sid ey $e 
all this part being in sunlight. In the clearing are a man and a woman gather- hes — 
ing up fallen branches. A bit of blue sky appears at the upper right. Thee ee 
elements are combined in a landscape of notably striking effect. — 


Signed at the lower right, and dated 59. ee 4 


Purchased at the Henry Ward Beecher Sale as a Diaz. 
Property of the E. A. Bicetow Estate. 


FELIX ZIEM 
Frencuo: 1821—1911 


No. 270— IN ITALY 


s, > 0 y¢ qe Panel: Height, 131, inches; length, 26 a VV ‘ tig sees 

A LanpdscaPE in full sunshine with view of a bay in the 7s riatic. At th Yleft, on 
the shore, are trees growing out horizontally from a hillock and a wif seated 
in the phade. The middle distance shows the blue waters of the bay and the 
hills beyond. The blue sky is gradated into yellow-white at the horizon, indi- 
cating intense light and warm weather. 


Signed at the lower left. 
Property of the Estate of Lorena L. Barer. 


JULIEN DUPRE 
Frenco: 1851— 


No. 271— RETURNING FROM PASTURE 


3/ y Uv . Canvas: Height, 18 inches; length, 22 ee a oe ie 


A PEASANT girl in blue, with a red kerchief on her Gs ond carrying ‘bundle 
of fodder, is depicted in the foreground coming home in the late afternoon 
with her cows and sheep from the wide pasture fields which are seen in the 
middle distance. The animals, as well as the figure of the girl, are notable for 
good ‘drawing and the picture, with a quiet color scheme, shows a harmonious 
ensemble. 


Signed at the lower left. 
Property of a New York Collector. 


ALEXANDRE GABRIEL DECAMPS 
ee Frencuo: 1803—1861 
ap 


No. 272— ORIENTAL INTERIOR 6 hak Lies 


Canvas: Height, 1814 inches; length, 25% inches 


In the shadowy recesses of a spacious hall, paved with stone flags, are many 
figures, chatting, bargaining and smoking. Through an open, arched door- 
way, where the sunlight floods a booth and the walls of houses, are other figures. 
The ensemble presents a striking and colorful harmony. 


Signed at the lower right. 


Property of the Estate of the late Spenuon SALvapor DE MENDONGA. 


ADOLPHE ALEXANDRE LESREL 
Frencu: 1830— 


No. 273— A VISIT TO THE ARMORER 
3 / 0 (f ‘Panel: Height, 23 inches; wid Beg ae 


A COMPOSITION of two ame showing a cavali ; seated 1 in an arm chair, dressec x 


armor, high, white buckskin boots and gray hat with plume, examining % = 
musket of beautiful design and workmanship, while an armorer, in red with ae 
black cap, stands near him behind a table, on which are displayed other guns, __ 
swords and a helmet. On a shelf behind him are arms and accouterments and an — 
open door, at the left, leads into the workshop where the anvil and tools are — 
seen. A highly finished work with historical accuracy in all the details. | 


Signed at the lower left, and dated 1889, 2 ; 
Property of a Lady. on 


AIME PERRET 
Frencu: 1847— 


No. 274— THE HARVESTER 


be Canvas: Height, 24 inches; width, 20 inches 


a LITHE, tall figure of a peasant girl coming through a field Tot bored grain. | 
Her costume consists of a red bodice, red cap, white under-bodice, dark blue 
skirt and grayish-brown apron. In her left hand she carries a sheaf of wheat. 
In the distance are a haystack and a farm laborer plowing. On the low horizon 
line are seen houses and trees. The evening sky, in the west, is of luminous 
pale yellow, gradated upward to blue and gray. 

Signed at the lower right. : 
Property of a New York Collector. 


ETIENNE PROSPER BERNE-BELLECOUR 
Frencu: 1838—1910 


No. 275— HORSEMEN 


inches ; 
Two of the French mounted military are seen in/f# sandy road near a wood, 


and across a green plain on the left appear the red roofs of a town. One man, 
astride a sorrel, is manipulating a cigarette; his companion has dismounted and 


holds the head of his bay. 


Panel: Height, 17 inches; length, 


Signed at the lower right, E. Berne-Bettecovr, 1904. 
Property of a Lady. 


LUIGI LOIR 
AUSTRIAN: 1825— 
No. 277— LE SOIR 
; ‘ Canvas: Height, 18 inches; length, 24 inches 
Jog ey 


A-V/ 
Broap boulevard sidewalks, grayer than the gloaming sky, are busy wi an 
active population, men, women and children, bent on their way or with time 
for idling; the chimney-pots and roof lines of the city are dark against the 
gray aloft. In the shop windows a glow appears and street lights show yellow 
below slender leafless trees. 


Signed at the lower right, Lor Lute, 82. 
Property of the Estate of Atrrep Henry Lewis, Ese. 


CHARLES THEODORE FRERE 
Frencu: 1815—1888 


No. 278—A STREET SCENE IN CONSTANTINOPLE 


ee ee Canvas: Height, 151 inches; length, 314, inches 4 
xr ; ee 


Tuer composition shows an open space with bazaars on the left and on the 
right. Sunlight illumines the white walls of the buildings and the scene is 
peopled with numerous figures. Two camels are in the throng, and from the 
roofs, at the right, a great flock of pigeons is rising in a long flight across the 
2k Signed at the lower right, with “Constantinople.” 
By order of Executors. 


JULES ADOLPHE GOUPIL 
Frencu: 1839—1883 


No. 279— AN INTERESTING BOOK 
po Panel: Height, 25Y, inches; width, 18 inches 

/ oot Rat 57, re fy. y, 7 
A FULL-LENGTH, seated figure, in profile view with fa ice to the vets on a 
woman in a Directoire gown of wine-colored satin and wide gray sash. — 


her, at a table of ebony and gold, she holds a book she is reading, 


Property of a Private Collector. 


AIME PERRET 
Frencuo: 1847— 


No. 280— THE TOWN ON THE RIVERSIDE 


y, ove Canvas: Height, 21 inches; length, 251, rae 
ie Cie ‘a 
In the left-middle distance of the composition is a group of the houses of a 


French provincial town into which leads a causeway from the foregrot 
crossing a stream, which empties into the river on the right. A peasant g" 
walking to the town, is crossing the bridge of the causeway and in the distance. 
are trees, on the river banks, and hills. The effect is one of early xe with 

warm-tinted gray clouds in a sky of blue. ae, 
Signed at the lower right. 4 
Property of a Private Collector. ‘uae 


EUGENE JOSEPH VERBOECKHOVEN 
FremisH: 1799—1881 


eNo. 281— THE HURRYING FLOCK 
3 7 j— Height, 18 inches; length, 28 inches VA Gi) 
i ph hwnd : CLP. : 
a A smatu flock of sheep are being hurried over a snow-covered field by a shep- pra: 
: herd, who with his dog is chasing them across the picture, toward the right. 


. ; Signed at the lower right, EuctNr VERBOECKHOVEN, 1874. 
; Property of a Lady. 


— ~ ADRIEN SCHULZ 


GERMAN 
No. 282— LANDSCAPE 
? j te ~Canvas: Height, 211%, inches; length, 2514 inches 


| Sie ay : 
A roapway leads from the central foreground to the left of a pond, in the middle 
distance. On the right are the trees of a forest and on the left of the road ar 
two other trees. The sky is of blue with white clouds. 
Signed at the lower right. 


Property of a New York Collector. 


GIUSEPPI SIGNORINI 
TraLuiaAn: 1857— 


No. 283— IN A MOORISH COURTYARD 


Water color: Height, 21 inches; length, 29 inches 
ae Ce 7, 
Tue white wall of a building, with grated windows, cross« e background 
and turns forward on the right, where an archway admits ‘t¢ the interior. In 


the yard two richly clad dark-skinned men are having a quiet game at a table 


resting on an Oriental rug. 
Signed at the lower right, Gruser. Sicnorin1, Paris, 


Property of the Estate of Arrrep Henry Lewis, Esa. 


GEORGE HENRY SMILLIE, N.A. 


AMERICAN: CONTEMPORARY 


No. 283A— HILL AND DALE NEAR BRONXVILLE 


/ 7 () ys Canvas: Height, 20 aoe width, 30 inches. te 


In the foreground are four ducks by a small pool. 
away to a forest of tall trees. The sloping ground{/at either side is rock : 
covered and topped with trees. ; 


Owner, Grorce H. SmItuie. 


To be sold for the benefit of families of French Soldier-Artists, 


FREDERICK K. EDE 


SCANDINAVIAN: 1865— 


No. 284— LES BLANCHISSEUSES 


a re Canvas: Height, 21 inches; (pe 29 inches - R 7 


A RuRAL scene in France. On the left, on the bank of a stream, are two young | 
women washing clothes. On the opposite bank are trees {n/autumn foliage and ‘ 
a house with a red roof. Overhead is a blue sky with white clouds, its expanse 
reflected in the water, which has lily pads on its surface near the bank’on the 
right. . ae 
Signed at the lower left. = 
Property of a New York Collector. . ae 


FREDERICK K. EDE 


SCANDINAVIAN: 1865— 


No. 285— LANDSCAPE 


3 Canvas: Height, 21144 inches; length, 29 inches = 

a/ 6 — : és yy) “Wy. ¢. Lr = Pe 
A stream, flowing between green banks, fills the left foreground. On thebank — my 
at the right are a rustic dwelling and farm buildings. Trees on se es of 
the water and in the distance are the other elements in the composition, which- 
depicts an effect of gray weather. 


Signed at the lower left. 
Property of a New York Collector. 


JOHAN HENDRIK van MASTENBROEK 
Dutcu: 1875— 


No. 286— WINTER 
Vt Height, 22 inches; length, 28 inches 
a 24 . 


Corp gray clouds of winter all but fill the sky, and a light f 
a rough roadway that leads away from the spectator betwee 

_ houses on the outskirts of a town. On the left is a team and wagon, the driver 
muffled in a dark blue coat. 


Signed at the lower right, J. H. v. MasrenBRoEK. 


Property of the Estate of Atrrep Henry Lewis, Esa. 


GEORGES MICHEL 
Frencu: 1763—1843 


No. 287— LANDSCAPE NEAR PARIS 


Panel: Height, 23 inches; length, 29 inches O 
ee < ue Lime 


A SUPERLATIVELY good example of Michel. The composition shows a 
stretch of country, seen from the heights of Montmartre, looking north ae 
in the direction of the little town of Enghien-les-Bains and the forest of Mont- 
morency. In the foreground a road winds downward into the plains, which 
are in shadow, where windmills are seen on the eminences and a village with a 
church spire. Farther away are stretches of cultivated country and distant 
hills. A shepherd and a woman, with their sheep dog, are seen in the road, 
following a flock, and two small figures are in the left center foreground. Over 
all is a majestic sky with great cumulus clouds. 


Property of the Estate of the late Senuor Satvapor pe Menponca. 


ADRIEN SCHULZ 


GERMAN 
No. 288— EVENING MISTS a 
( ) Ge ' Canvas: Height, 251 inches; width, 21 ke 
A LANDSCAPE with @ group of tall trees 1 in th foliose on the right, a stre ‘ 


distance, and ie jee of a herd of deer advancing from the shrubbery 
drink at the waters. Over the valley in the distance evening mists are ris 
after the sun has set. The sky, mostly clear, shows a strip of gray at 


horizon and a few floating clouds above. 
Signed at the lower righ 


Property of a Private Collector. 


ADOLPHE ALEXANDRE LESREL 
Frencu: 1830— 


No. 289— THE GAME OF CARDS 


LLU otal fom 
In a tapestried hall, with a high window lookifg out upon buildings of French — 
architecture, a half dozen elegant men of fashion, in ruffs, sashes, and elabo- 
rately embroidered velvets, are gathered about a large table where there is 
wine for the pouring. Two are at cards, while the others look on. oR 


Panel: Height, 22 inches; leng 


Signed at the lower left, A. A. Lesrez, 1907. “ 
Property of a Lady. ! ce: 


JOHANNES WEILAND Ba 
Dutrcu: 1858— | 


No. 290— IN THE STUDIO 
Canvas: Height, 25%, inches; width, 2 
/570 j we 


Aw artist, seated in his studio, examining an engraving while a m 
with white neckpiece and black hat, leans over at his side as if 
judgment of the critic. 


~ 


Property of a Gentleman. 


EUGENE JOSEPH VERBOECKHOVEN 
Berteran: 1799—1881 


No. 291— A SHEEP 


y 6 Panel: Height, 22 inches; length, 28 inches : 
Jo mA: Gere 
_ Aw important example of the work of Verboeckhoven. A sheep with heavy 
- fleece, in side view, is standing near a water trough where two hens are pecking 
about. The horizon of the landscape setting is placed low so that the back- 
ground is formed by a sky of gray clouds with spaces above of steel blue. 


Property of a Gentleman. 


HENRY WARD RANGER, N.A. 
AMERICAN: 1858— 


No. 292— EVENING ON THE LITTLE RIVER 


ot 7 ot Canvas: Height, 18 inches; length, 251/, ef g | 
In the foreground is a stream, with a skiff in which is a girl in red. Trees line 
the opposite bank and beyond, seen between their trunks, are fields and distant 
hills. In the evening sky are clouds tinted with rose. 


Signed at the lower left. 


Property of the Estate of the late Dr. M. C. Gouxp. 


EDWARD GAY, N.A. 
AMERICAN: 1837— 


No. 293— LANDSCAPE 


~N 


of / “ Canvas: Height, 20 inches; length, 24 inche : le, 


In the foreground some children are gathering wild flowers in a meadow filled 
with asters and other autumn posies. On the left is a tree with its bran¢hes 
nearly bare of leaves and beyond it a wood. At the right is a group of trees. 
In the distance are a house, a glimpse of a river and hills. The sky is blue, 
with white and gray clouds. The foreground is painted with minutely executed 
details in the manner of the English Pre-Raphaelites. 


Signed at the lower left, and dated 1877 
Property of a Gentleman. 


RALPH ALBERT BLAKELOCK, A.N.A. | 


AMERICAN: 184'7— 


No. 294— AN INDIAN ENCAMPMENT 
Canvas: Height, 16 inches; length, 26 fiches 


Tuer edge of a stream is seen crossing the canvas in the immediate foreground, 

_ with two canoes moored at the bank, on the left. The middle ground of the 
composition shows an open space in a forest, with trees on either side reaching 
high up. At the left, under the trees, is a tepee with a group of Indians sitting 
on the ground before it around a brushwood fire. On the right,’at the other 
side of the open space are two tepees and a couple of Indians. Beyond in the 
center, is a distant hillside and over all is a sunset sky of warm yellows with 
clouds of tawny red. 


Signed at the lower right. ~ 
Property of the Estate of the late Dr. M. C. Goutp. , 


ALEXANDER HEDWIG WYANT, N.A. 
AMERICAN: 1836-—1892 


No. 295— A SEPTEMBER DAY | 
Canvas: Height, 18 inches; Agngth, 30 ne ; 
Bi 


Faerie en 
A BrRoap stretch of country with the fore d of pastures and trges, on the 
left, all in shadow, while the middle distancé is illumined by the afternoon sun. 
Beyond is a line of blue hills and, overhead, a sky of gray and white clouds 
with spaces of blue in the upper part. 


Signed at the lower right center. 
Property of the Estate of the late Dr. M. C. Goutp. 


WARREN SHEPPARD 
AMERICAN: 1858— 


No. 296— VENICE 


/ g ye “iis Canvas: Height, 27 inches; width, Poa 
Figs 21) OSs: VE 


A view on the shores of Venice with a palage on the left and, beyond it, St. 
Mark’s and one of the columns with a lion surmounting it. The effect is in 
sunshine under a blue sky. 


Signed at the lower left. 
Property of a Gentleman, : 


HENRY P. SMITH 
; AMERICAN: 1854—1907 


No. 297— OLD OAKS IN SUNLIGHT 


2 ee Canvas: Height, 20 inches; length, es, € 


On either side of a road, which curves into the riddle of the comp@sition is a 
fine oak tree, the dark green foliage illumined in the upper portions by the 
late afternoon sunlight. At the left a red brick house, mostly obscured by 
the foliage, with a white out-building attached, makes a brilliant contrasting 
note with the tints of green. The entire foreground of the picture is in shadow 
and over all is a sky of blue. 


Signed at the lower right. 
Property of the Estate of the late Dr. M. C. Govt. 


fe. WARLE, A.N.A. 


; AMERICAN: 1845— 
No. 298— THE MEADOWS 
/ 37 ge Canvas: Height, 20 inches; length, 30 sd yaee 


| 
Le 
A New Jersey landscape with level meadows and a hai stream, at the left, 
occupying the foreground. Beyond, at the right, dre fruit trees in blossom 


and, at the left, hills and woods, in the distance. 
Signed at the lower right. 


Property of a New York Collector. 


JOHN BUNYAN BRISTOL, N.A. 
AMERICAN: 1826—1909 


No. 299— BERKSHIRE HILLS 
4 Asa d| oe. Canvas: Height, 24 inches; length, 3Q inghes &) 
‘J Lye 


A vary in the Berkshires with a stream, wooded slopes, meadows, and a 
village, with a church, embowered amid the trees. Beyond rise the high hills 
with a lofty peak on the left. The sky is of blue, with white clouds. 


Signed at the lower right. 


Property of the Estate of the late Senuor Satvapor pE MENnponga. 


JOSEPH H. BOSTON, A.N.A. 


AMERICAN 


~ No. 800— THE HAYSTACKS 


2 ; 3 / Canvas: Height, 25 ae length, 30 inch y 


A narnyarp with three great haystacks. At the deor of the barn, on the | 
is a man with a lantern. In the central portion (of the composition is a view 
of a river and distant hills. The effect is of moonlight and the disc of tl 
moon is seen high upon the blue-gray sky, partly oyeeeies by the hay: 


on the right. ro 
Signed at the lower 


Property of the Estate of the late Dr. M. C. Gourp. 


GUY C. WIGGINS 
| AMERICAN: 1883— 7 


No. 301— AUTUMN LANDSCAPE 


( a tt | Canvas: Height, 25 oe 30 goles. Lana” 


From a foreground of withered grass and herbage 
on the right, where there are trees in autumn tints of brown, yellow, crimson 
and red. The effect is of sunlight and the sky is blue, with some ae io : 


Property of the Estate of the late Dr. M. C. Gourp. 


GIUSEPPI SIGNORINI 
Travian: 1857— 


No. 302— -ORIENTALS 


JL j ad Water color: Height, 24 inches; length, 34, inches 


Four Arabs or Moors in gorgeous costume in a brilliant light in | i 
the patio of a large, light-gray building. Their robes are crimson and rich — 
olive, blue, gray and purple-red, and three of them have enormous pictanesyalia 3 
hats as brilliantly colored as their garments. Long Arab guns and other 


weapons are in evidence. 
Signed at the lower right, Gruser. Stcnortnt, Paris. 


Property of the Estate of Atrrep Henry Lewss, Hsa. 


JULES JACQUES VEYRASSAT 
Frencu: 1825—1893 


No. 303— AT THE SMITHY 
on a, age Height, 31 inches; width, 24 inches g 


: 4 
A stone blacksmith shop with stable-loft above, and red tiled roof over which 
a deep blue sky is seen, crosses the background beyond a stone-paved court 
_ and adjoins on the right a gray-plastered dwelling. From the left a slant of 
sunshine brightens the head of a white horse waiting to be shod, and falls upon 
the young smith, and upon a young woman holding a fagot broom. 


Signed at the lower left, J. Veyrassat, "72. 
Property of a Lady. | 


ETIENNE ADOLPHE PIOT 


Frencu: ConrTEMPORARY 


No. 304— CANDLELIGHT 


gs Height, 391, inches; width, 2714, inche ae L) {) 
(sad 


THREE-QUARTER-LENGTH portrait of a young lady standing at the edge of /a 

table, facing the spectator, and holding in her left hand an adjustable candk- V 
stick with candle lighted which she has just taken from the table. She is 

i looking, with a smile, directly at the observer, while keeping out of his eyes the 

glare of the candle by holding in front of it her right hand, whose delicate 
fingers become translucent, silhouetted against her illumined breast. Her gown 

is décolleté, and the light travels in diminishing radiance to her slender neck 

and affable features, touching the edges of her wavy rich red hair. 


Signed at the lower right, A. Prov. 


Property of the Estate of Mrs, T. Garttarp THomas. 


is y oe Height, 391/ a width, “oe ieee 


<7 v Height, 25%, 8; length, 3134 inche 
ae Ke 


On the left a high wall mounts almost out of picture, and trees alone ity 


CHARLES HORACE VERNET 
Frencu: 1758—1836 | 


No. 305— THE KING OF BEASTS 


spectator. The massive features and mighty limbs, and the maze of ; 
variations in the fine, rich coat, are carefully studied and effectively w 
in a subdued interior light against a background of black shadow. ~ 


Signed at the lower left, H. Ver: 


Property of the Estate of Mrs. T. Garrrarp THomas. 


FRITZ THAULOW 
Norweciuan: 184°7—1906 


No. 306— RIVERSIDE IN WINTER 


rise higher. At their foot a broad walk or roddway curves along a navigable — 
river, the way now snow-covered and plentifully arked by footprints. Housed- — 
over barges lie in the stream, which is cold and dark green, and men stand a 
near them at the bankside. In the middle distance a bridge crosses to a large — 
city built high on the right, and from various chimneys black smoke and white 
steam curl and puff against a gray wintry sky. 


Signed at the lower left, Frrrz THavuiow. 


Property of the Estate of Atrrep Henry Lewis, Ese. 


ALEXANDRE GABRIEL DECAMPS 
Frencu: 1803—1861 68 


No. 307— VUE D°ORIENT 


Ys 3 "4 A ae Canvas: Height, 451, inches; width, ees. of gi eo ie 


A roapway, with a pool, in an Oriental settlement ; houses with projecting bal- 
conies, all in deep shadow, at the right; in the center a mosque with white 
walls and tower. In the immediate foreground a woman, in white robes, accom- 
panied by a child, is seen walking away from the spectator to the pool, probably 
to fill the water jar she carries on her head. Tall palms on either side and a 


_ sky of dark blue. 
Signed at the lower left. 


Property of the Estate of the late Sennor Satvapor pE MENDONGA. 


J. BERGHEM 
Dutcus 1620—1683 


No. 308— LANDSCAPE AND CATTLE 


7 4 gu Panel: Height, 30 inches; length, 361, , inches Grab 
/ F 
Caf v LLABAAN 
the = 
eac 


Tux landscape shows a waterfall tumbling over rocks i central portion 
of the canvas and on the left a tree, the branches of whic h up to the top 
of the composition. Under the tree, in the shade, are cattle at rest. On the 
right is another tree with trunk growing out from the rocky hillside. Beyond 
is the sky with summer clouds. This picture is notable for its mellow, golden 


tone. 
Signed at the lower left. 


Property of a Lady. 


ALEXANDER HARRISON, N.A. 
AMERICAN: 1853— 


No. 309— _ SUMMER EVENING 

uy ee Canvas: Height, 20 oe eh, 391/, sie 
q/ oj } — 3 2 y 

A MARINE showing the vast expanse of the ocean ts waves ro 

ward and spreading out in flat shallows as they reach the =o 

scheme is cast in violet tints with rose-colored and greenish-white 

the rising moon is seen near the right-center of the sky. 


“Signed at the lox 
Property of the Estate of Lorena L. Barper. 5 ee 


CHARLES EDOUARD DELS an 
FRENCH: 1814—1890 


No. 310— | THE FERRY 


ie Height, 36 inches; width, 26 inches 


SEATED in the stern of a roomy skiff and facing the spectator are two figur 
young man in blue, with tricorne hat and red leggings, and a fowling piec 
slung over his shoulder, who is seen lifting the cover of a basket: with two S u ok 
in it, held on the lap of a pretty girl, beside him, who in gray cloak and w 
cap and apron, is evidently going to market. The young sportenanal 
beagles leashed together, are seen looking over the side of the boat. The oe tin | 
for this pretty group is formed by the placid waters of the river, an | 
stone bridge and the houses of a town. Overhead is a gray sky. sol 

Signed at the le 
Property of a Lady. 


WILLIAM L. PICKNELL, A.N.A. 
AMERICAN: 1852—1897 


No. 311— LANDSCAPE 


fi j g+ Canvas: Height, 36 inches; width, 30 iyches  __ 
: of, wth, LL, 


Art the edge of a road, in the foreground, a man vidi ga hag at to 
water his mount at a wayside trough. Trees in summer foliage fill the right 
and central portions of the canvas and at the left, above, is a sky of blue with 
white clouds. The effect is one of strong sunshine. 


Signed at the lower right. 
Property of the Estate of Lorena L. Barser. 


JAMES CRAWFORD THOM 
AMERICAN: 1835—1898 


No. 312— VIEW ON SOUTH RIVER 
os v Height, 24 inches; length, 42 inches Pon 
Carre VW Bas 
THE river comes winding about a point on the right and skirts the the nck 


ground. The point is green with thick shrubbery, and beyond it in the back- 
ground a wooded ridge crosses the picture, the roofs of a farmhouse being 
glimpsed among the trees on the left. In the foreground are cows and ducks, 
and a man is seated on the grass. In the stream is a scow loaded with hay, 
and people are also aboard. 


Signed at the lower right, J. Crawrorp THom, Op Brincr, ’82. 


Property of the Estate of Mrs. 'T. Gariarn THomas. 


3 cy vs Canvas: Height, 28 inch 


7 6 


tn, pee) Se) et: Cr a ee BS a 
a.) nl i 


FREDERICK A. BRIDGMAN, N.A. 
American: 1847— 


No. 313— INTERIOR OF BISKRA CAFE, ALGIERS 


A LarcE room with pillars supporting t 
square opening in the roof and from 
center of the composition stands an Arab, in white with a great Pec ih 
ing on his back, who 1 is talking to a man and a woman, sae on a m 


traveler. In the background are Rie men and women, Bor, oc 
playing cards. 


Property of the Estate of Lorena L. Barser. 


MAX WEYL 
American: 1837— 


No. 314— SPRINGTIME 


Canvas: Height, 38 inches ; lenge 42 aS Fon 
— 


filling the middle distance on the right. On the 
in spring foliage; in the distance a glimpse of a river and a ‘ifne of hills pen 
sky is of light gray with a few spaces of springtime blue. 


Signed at the lower ram 


Property of the Estate of the late Senuor Satvapor pE Menponga. 


DANIEL RIDGWAY KNIGHT 
AMERICAN: 1845— 


No. 315— THE CHRYSANTHEMUMS 


/ LST (ce Height, 46 inches; width, 354, inches. J Ne Siete Zia 


A Fine example of the work of the popular and distinguished painter, Ridgway 
Knight. The composition presents an attractive, full-length figure of a young 
French peasant girl in dress of blue of different shades, the bodice showing 
_ tints of violet, the apron of gray, and the skirt frankly blue. On her head is a 
kerchief of red with white dots and her underwaist and sleeves are white. She 
is depicted leaning over to take hold of the handles of a wheelbarrow, which is 
loaded with pots of dark red, yellow and white chrysanthemums. This pleas- 
ing rustic subject is placed in a garden on the bank of a river which fills the 
middle part of the canvas, and beyond are seen the wooded shores and distant 
hills. Above is a sky of gray. 

~ Signed at the lower right. 
Property of a Lady. 


HUGUES MERLE 
Frencu: 1823—1881 


No. 316— A MODERN DIANA 
sl ed) Le Canvas: Height, 451, inches; width, 32 inches 


A THREE-QUARTER length, life size, standing figure of a young woman nude to 
the hips and with drapery of white and dull red covering her body below the 
waist. The figure is in front view to the spectator, the head turned to the left 
and both hands raised to the abundant tresses of blond hair. In the forest 
background is a pond of clear water. A representative example of a talented 
French artist of wide celebrity. 


Vy: Yi | oe ci ae 


Signed at the lower left, and dated 1870. 
Property of a New York Collector. 


ALBERT LOREY GROLL, N.A. 
AMERICAN: 1866— 


Noa Sl7== OCTOBER 
Height, 40 inches; length, 51 . 


Goss Se 
a THROUGH an opening in a wood the eye travels to a sky massed with light oud: 
on a breezy day in late autumn. At either side the thick foliage glow: in ¢ 
light golden yellow, tempered by soft orange-browns. Falling leaves are in th 
air, the underbrush is brown and red. In the foreground a pond reflects th 


silvery trunks of the trees. meee FS 
Signed at the lower left BOs Grou 


Property of the Estate of A.trrep Henry Lewis, Ese. 


ALBERT BIERSTADT, N.A. 
AMERICAN: 1829—1902 


No. 318— THE FALLS OF ST. ANTHONY 


30" 
THis impressive view of the Falls of St. Anthony is taken from a point on the 
shore of the river below, the shore appearing, on the left, as a sloping bank 
with several trees, their branches extending to the top of the canvas. In the 
immediate foreground is a stone construction buttressing the bank and on it is 
a man in a long coat casting his fishing line in the waters below. At the left 
are two other figures, one in a red cloak, the other an Indian with headdress 
of feathers. On the other side of the picture, filling the foreground, is the 
river with its swift-running waters. The falls themselves stretch across the 
composition in the near middle distance. Beyond them lies the upper river 
and farther away are the hills that line the shores. A summer sky, with white 
and gray clouds, fills the upper portion of the picture. 


Canvas: Height, 38 he 601% inches. 


Signed at the lower left. 
Property of G. P. Cuarrrerp, Esa. : 


"ENTERTAINING GUESTS | P 
nv NT eae Bee ect 


in a wine cellar, grouped around a table, cov- 
Signed at the lower right. 


AMERICAN ART ASSOCIATION, 
MANAGERS. 


sT OF ARTISTS REPRESENTED 
AND THEIR WORKS. 


LIST OF ARTISTS REPRESENTED AND 
a THEIR WORKS ; 


- nee is. | CATALOGUE 
| Poets ~ NUMBER 


37 


: and Cattle (Panel) 


aS 


275 
97 
ae 
BIERSTADT, Axzert, N.A. 

The Waterfall (Canvas) ) 3 om 65 
- Sunset 38 219 
The Falls of St. Anthony (Canvas) 318 
~The Rocky Mountains: nb 162 
Giant Trees of California (Canvas) 200 

: BLAKELOCK, ‘Rarpu Axper, 4.N.A. 
_—~—“C he «Campfire (Panel) 134 
eee The Chinese Junk (Canvas) ; 181 
Landscape (Canvas) 201 
~The White Captive (Canvas) e 257 
An Indian Encampment (Canvas) 294 


BLUMENSCHEIN, Ernest L., A.N.A. | ‘ 
‘ A Spanish Lady (Canvas) 99 


. aS Se a 


BOGERT, Georce H., A.N.A. 
Landscape (Canvas) 
Night in the Village (Panel) 


BONHEUR, Rosa 
Driving the Herd (Drawing) 


BOSTON, Josernu H., A.N.A. 
The Haystacks (Canvas) 


BOUGHTON, Gerorce Henry, N.A., R.A. 
At the Bankside (Charcoal Drawing) 


BOURGUIGNON, Giacomo CorrTEsE 
Horsemen in Battle (Copper Panel) 


BRABY, NrewrTon 
A Silent Prayer (Canvas) 


BRADFORD, Wi.u1am, A.N.A. 
In the Arctic Ice Fields (Canvas, backed with a Weed Panel) 6 
In Northern Seas 1 


BRENNEMAN, Gerorcre W. 


Declining to Look (Panel) : Oa een 
BRICHER, Atrrep Tuomrson, A.N.A. | ee , 
Cliffs on Dana Island, Manchester-by-the-Sea 8380 
Marine (Water Color) (69° as 
On the Coast of Maine (Canvas) 2 ) aes 
Summer Afternoon: Nantasket Beach (Canoe | | 101-3 “a 


BRIDGMAN, Frepericx A., N.A. 


Interior of Biskra Café, Algiers (Canvas) | SIR . 4 
BRISSOT DE WARVILLE, Feu Sarurnin I 

The Sheep Pasture (Water Color) 221 

Feeding the Sheep (Water Color) 222 


BRISTOL, Joun Bunyan, N.A. “oi 
Housatonic Valley 44 aa 
Berkshire Hills (Canvas) 299° im 


CATALOGUE 
NUMBER 


BROWN, J. G., N.A. 


In the Woods (Canvas) 43 
The Apple Boy (Canvas) 254 
At the Brook 196 


BRUESTLE, Gerorce M. 


A Gray Day (Panel) 61 
BRUNER], F. 
Getting Ready for Market 108 


BUNKER, Dennis MILLER 
The Town of Lamor (Canvas) 256 


CAILLE, Lrton ; 
Ready for School (Canvas) 109 


CALLAM, Wi.u1AaM 
View of a City (Water Color) 52 


CANO, Atonso . 
Madonna (Canvas) 215 


CARLSEN, Emm, N.4A. 
Sunset (Canvas) 35 


CEREZO, Marrero 
Head of Christ (Canvas) | 86 


CERIEZ, THEODORE 
Au Cabaret (Panel) 48 


CHARLET, Nicouas Toussaint 
After the Battle (Water Color) 112 


CHASE, Wiiti1am Merritt, N.A. 
The Guitar (Canvas) 116 


CONSTABLE, Joun, R.A. 
Landscape (Water Color) 223 


COOMANS, Joserx 
Surprise (Canvas ) 103 


COPLEY, Joun Sixcieron ( Attributed to) 
| The Duke of Wellington (Canvas) 


~ 


CORNOYER, Paut, A.N.A. 
Madison Square (Canvas) 


COYPEL, Anrorne 
Allegory (Canvas) 


COUTURIER, Puiuisert Lion 
The Poultry Yard (Canvas) 


COX, Kenyon, N.A. 
Venice (Canvas) 


CRANACH, Lvcas 
The Woman Taken in Adultery (Panel) 


CRANE, Bruce, N.A. 
Autumn (Canvas) 
The Village by the River (Canvas) 
The Western Sky (Canvas) 


CROEGAERT, Georces 
The Disputed Passage (Panel) 


CROME, Joun (“OLD CROME”) 
Landscape near North Elmham (Cases 
Landscape in Norfolk (Canvas) 


CROPSEY, Jasper Francis, N.A. 
Landscape (Canvas) 
Sunset (Canvas, backed with Wood Panel) 


CURRAN, Cuarues Courtney, N.A. 
Listening to the Waves (Canvas) 


CUYP, Artsert (Attributed to) 
Admiral Tromp 


DAINGERFIELD, Exuiorr, N.A. 
Wash Day (Canvas) 


e Dancing “seat a Panel) 
: Outpost “(Canvas) 
ital Interior (Canvas) 
’ a 


ell 8 ba 


DIAZ DE ; LA PENA, NarcissE VIRGILE 
Ss aes (Panel) : ieee er LO 


LA PENA, Narcisse Vinee (Attributed to ) 


a3 


In co Forest (Canvas) | 269 


ee eV ae Tu 


2 
, José | ; 
ee e Portrait of Juanito Domingo (Canvas) 177 
see | 
D ORE, Gustave Pau 
oa A Lion (Water Color) : 7 | 13 
| oven Pavz, N.A. 
Dy Landscape (Millboard) 14 
ie Landscape (Canvas) . 142 
Beep Dow, Anrnur W. 
a 3 ? _- Evening (Canvas) < 62 
DUPRE, JULIEN 
French Peasant Girl (Canvas) : 267 


Returning from Pasture (Canvas) eae yf 


Gee Pay SOR = ee wg “e he be a i : 
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DUPRE, Lion Vicror 
On the Riverside (Panel) 


EARLE, L. C., A.N.A. 
The Meadows (Canvas) 


EATON, CuHarites WarrEN 
October, near Montclair (Canvas) 


EDE, Frepericx 
The Brook (Canvas) 
The Bridge (Canvas) 
Les Blanchisseuses (Canvas) 
Landscape (Canvas) 


EGGLESTON, Bensamin 
Ancient Days (Canvas) 
Ready for the Bath (Canvas) 
At the Riverside (Canvas) 


FEIG, Franz pe Paura 
The Dance (Panel) 


FICHEL, Evctne 
The Music Lesson (Panel) 


FIELD, E. Loyar 
Landscape (Canvas) 


FLEMISH PRIMITIVE SCHOOL 
The Holy Family and the Magi (Caras, mounted on Wood 
Panel) 


FOSTER, Ben, N.4A. 
Fagot Carriers (Water Color) 
The Close of Day (Millboard) 


FRAGONARD, Jean Honort 
Le Sommeil (Canvas) 


FRENCH SCHOOL 
Napoleon in the East (Drawing in Pen and Ink) 


FRERE, CuarLes THEODORE 
A Street Scene in Constantinople (Canvas) 


- CATALOGUE 
NUMBER 


204 
293 


i, Dano Fr RANGors Pasca 


nig Book (Panel) 


S, M. F. H. vs, N.A. 
“Tow Tide at Flying Point coonuee) 


Le ee. 
/ 
7 


“ 


ae at , , Epovarp JEAN 
a pene Terrace (Canvas) 3 172 
tah, =e a F 
aa Bet AMMER, Joun J. we : 
= a «Spring (Panel) — 32 
4. Sea 
oe. - HARRISON, ech? N.A. 
ag A Break in the Storm (Canvas) 133 
. Summer Evening (Canvas) 309 
HART, James McDoveat, N.A. 4 
Cow Drinking : | 160 


HART, Wiuiam, N.A. 
| Landscape and Cattle (Millboard) 17 


HELST, BarTrHoLoMEus VAN DER 
Portrait of a Landowner (Canvas) 


HENNER, Jean Jacques 
Jeune Fille (Panel) 


HERRING, Joun Freperick 
Pigs (Panel) 


HERRMANN, Leo 
Taking Her Measure (Panel) 


HERZOG, P. cae 
Landscape and Sheep (Canvas) 


HETTICH, E. 
Swiss Landscape (Panel) 


HOMER, Wiystow, N wf 
Breakers (Water Color) 
The Stag (Water Color) 


HOWLAND, Atrrep C., N.A. 
In the Country (Panel) 


HUMBORG, Apo.trxH 
Testing the Vintage (Panel) 


INNESS, Gerorce, N..A. 
Landscape (Canvas) 
In the Fields (Canvas) 
Sunset (Canvas) 


ISABEY, Louis Gasrie, EvcEne 
A Ceremony 


ISABEY, Evctne (Attributed to) 
At the Hotel de Cluny (Water Color, with Pen and Sepia) — 


ISRAELS, Joser aa 
Fisher Folk (Canvas) a Ae 148:" a 


JACQUE, Cuartes Exits 
Sheep CF meee 
Ready to Start \. SEIS 


CATALOGUE 
NUMBER 
JOHNSON, Davin, N.A. 
Landscape (Panel: Oval) 129 
Study from Nature, near the Powder House (Canvas) 164 
Looking West from Dollar Island, Lake George (Millboard) 252 


JOHNSON, Eastman, N.A. 


In Gentle Slumber 132 
The Trysting Place (Canvas) 141 


JONES, Hvueu Botton, N.A. 
Spring (Canvas) | 258 


~ JORDAENS, Jacozs 
Sainte Marie (Panel) ; 155 


KAUFFMANN, Marie Anna ANGELICA 
The Bathers (Canvas) s 150 


KELLY, Wit11aM 
Walt Whitman 3 


KENSETT, Joun Freverickt, N.A. 


Landscape (Millboard: Oval) 3 18 

Forest and Hills (Canvas) 46 

Lake Erie (Canvas) AT 
KITCHELL, H. M. 

Evening Glow (Canvas) 187 
KNAUS, Lupwic : 

Walking through the Fields (Panel) 145 

The Poppies (Panel) 245 


KNIGHT, Daniet Rineway 
The Chrysanthemums - 315 


KOEK-KOEK, Brernarp CorneELis 
Landscape (Panel) 147 


KOST, Frepericx W., N.A. 
Landscape 163 
The River 253 


KRAY, WILHELM 
The Smiling Page (Canvas) — 


LEBRET, ie 
Landscape and Sheep (Canvas) 


LELOIR, Mavrice 
Reverie (Water Color) 
The Balcony (Water Color) 


LESREL, ApotpHe ALEXANDRE 
The Shopper 
A Visit to the Armorer (Panel) 
The Game of Cards (Panel) 


LOIR, Louie 
At Eventide (Water Color) 
Bridge in Winter (Water Color) 
The Sidewalk Market (Water Color) 
City Streets (Canvas) 
Le Soir (Canvas) 


LORING, M. 
A Sloop at Low Tide (Water Color) 


LYNCH, Axserr 
Young Woman 


MABUSE, Jan GossaerRt 
Portrait of John Moore, Son of Sir John Moore (Panel) 


MANS, Freperic H. ees tee 
The Rendezvous (Panel) 85. ire: 


MARTIN, Homer D., N.A. . 
The Lake (Canvas) — 230 


MASTENBROEK, Jouan HeEnprix van 
Winter 286 


MAZZOLA (PARMIGIANO), Francesco Marta (Attributed to) — 
Portrait of Columbus (Canvas, mounted on Silk with Brass- 
headed Pins) 40 


AP Fz ey 


(= 


ul 


- fee es Ps el Se eee ae CATALOGUE 
McC R Nee : ' — rea “NUMBER 
McCC a -GrorcE Herzert, AN. a; | 
ee: The Green Waters of Sorrento (Canvas) | 202 


at 


[ERLE py ueuEs 


, eon ay Cattle and Goats (Canvas) 
e near Paris (Panel) 


Peay a 


fete the Desert (Canvas ) 


: owas, > A.N.A. 


4 = Fisher Girl of Cancale (Canvas) 34 
/ MORELAND, GEORGE . 
PAs = Gypsies (Panel) | 149 
=... ae 
- MULLER, Witiiam JAMEs 
¢ Landscape (Panel) 9 
ay Arabs Resting (Canvas) | 88 
_NEEFS, Picks, AND Frans FRANCKEN 
* es ; Interior of Antwerp Cathedral age 242 
_ _NORMANN, A. 
| The Lake (Canvas) _ 210 
OFFERMANS, Tony 
Going Home (Canvas) 176 
ONDERDONK, Jurian 
The Close of a Summer Day (Canvas) 56 
View from the Palisades (Canvas) . 77 


The Edge of the Woods (Canvas) 255 


- ORIZON es Gar ree VAN. < Browsers) ah 
Landscape _ oy os 


PAL, W. Boum 
A Humble Home (Panel) 


PARTON, Artuur, N.A. 
An Orchard in Springtime (Canvas) 
The Pond (Canvas) 


PATTEIN, César 
Harvest Days 


PERALTA, Francisco 
The Proposal (Panel) 


PERRET, Aime 
The Harvester (Canvas) 
The Town on the Riverside (Canvas) 


PERUGINO (Pierro VANNUCCI) 
Saint Catherine (Panel) 


PICKNELL, Wituam L., A.N.A. 
Landscape (Canvas) 


PILLE, F. 
Coup he Mistral, Estérel, Gate: (Cansas 


PIOT, EviENNE ADOLPHE 
Candlelight 


PODEUM, Antonio 
Portrait of a German Count (Canvas) 


PORTIELJE, Epwarp 
Reconciliation (Panel) 


POST, Wituram Merritt, A.N.A. 
Landscape (Canvas) 


POTTHAST, Epwarp Henry, N.A. 
Late Evening (Canvas) 


ad REMI on (Attributed to) 
tore Landscape (Pen and Ink Drawing) 

ee The Old Gateway (Pen and Ink Drawing) 
Landscape (Water Color, Crayon, Pen and Sepia) 


ee _- REMBRANDT SCHOOL 
Rak he oa — Christ i in the Temple (Panel) 


a ae "RIBERA, JOSEF DE 
= : . _---‘The Martyrdom of St. Bartholomew (Canvas) 


RIBERA, JosEF DE (Attributed to) 
oe The Crucifixion (Copper Panel) 


~ RIBOT, Aveustin THtopuLe 
The Scrivener (Canvas) 


RICCI, Sesastiano 
. Savonarola (Canvas) 


217 


23 


-RICHET, Leon 
Soleil Couchant (Canvas) 


RIX, Juan , 
Sunlight and Shadow (Millboard) 


RONTBOUTS, J. 
A Dutch Farmhouse (Panel) 


ROOSENBOOM, A. 
The Children’s Pastime (Panel) 


ROSA, Satvator (Attributed to) 
The Shock of Battle (Canvas) 


ROSSEAU, Percivan 
Landscape (Panel) 


RUBENS SCHOOL 
Fan Design (Water Color) 


SANCHEZ-PERRIER, Emitnio 
Landscape 


SANI, A. 
Entertaining Guests (Canvas) 


SCHENDEL, Perrus van 
Testing the Egg (Canvas) 


SCHULZ, Aprien 
The Fagot Gatherer (Canvas) 
Landscape (Canvas ) 
Evening Mists (Canvas) 


SEIFERT, ALFRED 
Portrait of a Young Lady (Panel) 


SHEPPARD, Warren 
Venice (Canvas) 


CATALOGUE 


1 NUMBER 
; SIGNORINI, Grvusepr1 
17 His Favorite (Water Color) 49 
; In a Moorish Courtyard (Water Color) 283 
} Orientals (Water Color) 802 
: 
; SIMONETTI, Arrizio 
i In the Sun (Water Color) 30 
fi SMILLIE, Groncn Henny, N.A. 
[ Springtime (Canvas) 81 
i Hill and Dale near Bronxville (Canvas) 283A 
SMILLIE, Jamzs D., N.A. 
> The White Mountain from Randolph Hill (Canvas) 15 
| SMITH, Henry P. 
Marine (Canvas) 197 
Old Oaks in Sunlight (Canvas) 297 
b - STAMMEL, A. ° 
7 In the Art Gallery 90 
STARK, James 
Landscape (Canvas) 124 
View of Norfolk (Canvas) 191 
STARKENBORGH, (Baron) Tsarpa van 
Landscape (Canvas) 73 
ST. LUCHE, Vincent 
A Hospitable Cellar (Water Color) 50 
STEARNS, Junius B., N.A. 
Jack and Jill (Canvas) | 79 
STORKENBORGH, J. N. F. van 
Lake of Derwent Water, Cumberland (Canvas) 211 
: - SUSTERMANS, Justus 
: Portrait of a Young Gentleman (Canvas) 189 


TERBURG, Gerarv (Attributed to) 
Portrait of a Dutch Burgomaster (Copper Panel) 1138 


‘THAULOW, Fritz 


Winter (Canvas) 
Riverside in Winter 


THOM, James CrawFrorpD 
Fishing (Water Color) 
Sheep Going to Water 
Feeding the Chickens (Water Color) 
View on South River 


TIFFANY, Louis Comrort, N.A. 
Sons of the Desert 


TOL, Dominicus vAN 
The Pledge (Panel) 


TOULMOUCHE, AveustTE 
Portrait of a Lady 


TROUILLEBERT, Pavut Désiré 
Landscape (Canvas) 


TURNER, Joseph Matiorp Wirziam, R.A. | 
The Straw Yard (Drawing in Sepia and Crayon) 


TYLER, James G. 
Before the Wind (Canvas) 


UNKNOWN ARTIST 
The Hut (Drawing) 
Candlelight (Canvas) 


VAN BOSKERCK, Rosert Warp, N.A. 
Landscape (Canvas) 


VAN ELTEN, Kruseman, N.A. 
Evening (Canvas ) 


VAN OSTADE | 
Dancing in the Barn (Panel) 


VELTEN, WiLHEe_m 
First Aid to the Injured (Panel) 


VERLAT, Cuartes 
Les Intimes (Panel) 


T, Cuartes Horace 
so teas Be ae. 


t the Sth <. | 303 ) & 


PTEAU, Jean ANnTOINE 
_ Venus and Mars (Copy of Rubens—Canvas) 153 


In the § Studio (Canvas) 290 


ay a 


__ WEISSENBRUCH, JoHANNEs HEnprik 


The Barn (Panel) 237 
The Deserted Canal (Water Color) 248 
| WEYL, Max é 
Landscape (Canvas) 31 
The Woods at Paul Smith’s (Canvas) 84 
Landscape (Canvas) 135 
The Potomac Flats (Canvas) 198 
A Woodland Pool (Canvas) 205 
Sunset (Canvas) ; 260 


Springtime (Canvas) 314 


WHITTEMORE, Witsuiam J. 


Near the Lighthouse (Water Color) 


WIEGAND, GustavE 
Among the Hills (Canvas) 


WIGGINS, Carzieton, N.A. 
The Hillside (Canvas) 
Old Reliable (Canvas) 
Cattle in Pasture (Canvas) 
Down by the Sea (Canvas) 


WIGGINS, Guy C. 
Evening (Canvas) 
Autumn Landscape (Canvas) 


WILKIE, Sir Davin, R.A. 
The Festive Bowl (Water Color) 


WILLEMS, FLORENT 
The Book of Poems (Panel) 


WYANT, ieee Sey Hepwie, N.A. 
A September Day (Canvas) 


WYWIORSKY, M. G. 
A Winter Day (Panel) 


YATES, Cunien, A.N.A. 


The Breakers: Coast of Maine (Canvas, 


Board) 


ZIEM, Feux 
Venice 


In Italy (Panel) 


ZUBER-BUHLER, Frirz C. 
Natalie (Canvas) 


\ 


v 


mounted on Compo. | 


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